His guest came on Sloan’s show expecting to speak to a conservative audience understanding why they were outraged at the Kinky Boots presence on a family program. I was watching the Macy’s Parade and was enjoying it until the Kinky Boots bit. My wife and I turned it off once it came on because we thought it was bad. I watched the Macy’s Parade to see the SpongeBob float, the Mickey Mouse tributes and other popular culture references. The Kinky Boots thing was too much—it reminded me of The Rocky Horror Picture Show which I despise because both are progressive productions intent to erode away family value. I don’t believe there should be some protest to Kinky Boots or Macy’s, I believe in freedom of speech and I voted by turning off the television—just like I turn off Scott Sloan’s Show these days. I vote for things with my participation in them. But listening to Sloan’s articulation of the Kinky Boots defense was astonishing. In the cartoon Family Guy Peter Griffin is the dunce of modern fatherhood. He’s not very thoughtful about anything, and is perpetually accident prone. Yet because of his intellectual handicaps, he often imposes on the world his brand of stupidity which ruins things for everyone around him—and that was what I thought about listening to Sloan’s analysis of Kinky Boots.
I wouldn’t go to see the play Kinky Boots if someone gave me tickets and back stage passes. It is not art I support, it is not representative of traditional America, and I have little interest in ever wasting a few hours of my life watching a play about a topic of drag dressing guys exploring alternate lifestyles. The progressive movement uses this kind of entertainment to advance their political platform and within that platform is the acceptance of alternate forms of raising families—which does not work. Many of the failures we are seeing socially in 2013 come from the infestation of progressive value where traditional beliefs were perfectly adequate. When progressive film makers, financiers and actors made the film—The Rocky Horror Picture Show with catchy songs and sexual deviancy which was an easy sell, the plot of the film was the break down of the main protagonists who were straight average Americans. Over the course of the movie the young traditional couple newly married are converted by the end into gay loving, lesbian kissing Susan Sarandon’s. The film was a cult classic that still plays on many college campuses with special midnight showings where attendees dress up in drag and throw popcorn at each other and yell at the top of their lungs with mass celebrations of collectivism. The Rocky Horror Picture Show was designed to sell progressive ideas by ridiculing conservative ideas—and I hate it. I don’t support it—although I have seen it to understand what all the fuss was. My reaction to the movie was that it is one of the worst films ever made, although it has catchy songs designed to get people humming the tune. The result of the film is to plant seeds of sexual deviancy into traditional America and destroy the concept of the family unit as the strength behind individuals. For proof, just speak to the producers of the film and it becomes clear. The producers intended the film to be a gay rights activism endeavor—and were openly blatant about it.
Kinky Boots is just a modern spin to The Rocky Horror Picture Show, and the intentions are the same—the desensitizing of Americans from conservative values to progressive beliefs—namely sexual tendencies—sexual equality, and an anything goes mentality. I watched about half of the Kinky Boots Macy’s Parade segment, and found the images grotesque—so I turned it off. I didn’t think it was funny. I didn’t see any social value in it. And I saw it as an attack on my way of life in the same way that progressives would find it repulsive if I paraded my lifestyle in front of them—where my wife brings dinner to my chair every day, cooks all our meals, does all the shopping, changes all the diapers, and makes crafts for all the family members throughout the year–blankets, sweaters, and country decorations. She gets out of the arrangements a man who puts her on a pedestal, frees her of producing income, and takes care of any trouble that might come toward her family. People like the producers of The Rocky Horror Picture Show are very intolerant of the way my wife and I live our lives—so it’s only fair that I show the same intolerance for theirs. This live and let live crap is for pussies, and it hasn’t worked. It never has, and it never will.
I expected a lot of the trouble I had when I called the levy supporters of Lakota Latté sipping prostitutes………….I knew there would be push back, and I laughed about it with Scott Sloan and his producer off the air the night before I was set to go on the air and talk about it with him. I had worked with 700 WLW for a few years on school levy issues and had thought Sloan was a man’s man, and actually valued his man card. After the position he took with me not just on our interview, but later that day, I had the feeling that I had misjudged Sloanie. He wasn’t a tough guy who was willing to take on the teacher unions with me—like he sold himself—he was just another guy trying to appease the women in his life hoping to keep peace in his household by any means necessary—and I was very disappointed in him. Like Peter Griffin from The Family Guy, Sloanie put his finger to the wind and took the position he thought the majority of people believed. I tried not to hold the incident against him and continued to speak to him through email for months after. But over time it became obvious that we were two different kind of men, and people can’t be friends or otherwise if they don’t share common values. The same person who calls me a sexist for distinguishing that there are dramatic differences between men and women and that traditional America had more right than wrong on the matter is the same person attacking a conservative advocate who found Kinky Boots appalling. Sloan took what he thought was a libertarian approach to the Kinky Boots issue stating that it was harmless entertainment that people can take or leave. But when it shows up on a public street, on a public broadcast, or on a largely watched family holiday program during Thanksgiving, it’s not just about fun and promotion of a Broadway play. It’s about advancing a progressive agenda—and in the defense of traditional value—men are needed, and there are too few of those these days to do the job. Men these days think it’s better to be open-minded and slap-stick stupid like Peter Griffin than rugged tough and rooted in conviction like John Wayne—and that is disappointing.
During Halloween this year a kid was dressed in drag, he had on very high heels, a super short skirt and a long blond wig. From a distance he looked like he belonged in a Whitesnake video played by a Victoria Secret model. He passed as an attractive woman until we came closer to him and heard his voice. He was very disruptive going door to door pretending to be a woman and giggling about the negative reaction he had from the homeowners after they had closed the door. He obviously lacked a strong father figure in his life and as a result filled his thoughts with progressive influence, like The Rocky Horror Picture Show and Kinky Boots. What kind of father would this kid grow up to be—what honor is there in such a life where pictures of him will show up many years from now dressed in drag as he is trying to raise a family? The answer is not a very good one—and that is the real cost of this kind of recklessness. When a man or confused boy dresses in drag, they are surrendering their man card, and in doing so; they surrender their authority to ever be a “father knows best” type of family man. Any off-spring he may have will want “a father knows best” type of person in their life. Daughters grow up and almost always have reverence for their fathers, and sons almost always grow up to become like their fathers and if that kid has two or three kids of their own later—those children will be denied a person in their life who sets the bench marks of acceptable behavior high enough to be proud of. And that is the cost of living a life lacking conviction. The cost of being a Peter Griffin dad is that you get a lot of laughs, often they are the life of a party—but when it really matters, they are a let down to their families and to themselves—and will end their lives being embarrassing disappointments to their off-spring.
Men like it or not are the pillars that hold up a family. Women often provide the love and nurturing that is needed, but men provide the needed reliability that gives a family roots to grow in. Progressives despise this ideal, as they wish to make the world need government services to equalize the world of the inequalities that exist. Not all moms are good ones and not all dads are honorable, so the progressive solution was to destroy all good dads and good moms so that everyone is equally penalized and let public schools do the child-raising. What productions like Kinky Boots are really up to is letting men know it’s OK to be a floor tile inside a family home instead of a pillar of strength that holds it up—walked on and discarded as useless. Dads are belittled routinely in popular media, and the effects are starting to show in mainstream attitudes. People like Scott Sloan have bought into this concept and many others who have grown up watching shows like The Family Guy featuring Peter Griffin as the bumbling fool of a dad setting the bar so low for their ambitions that they are walked on by society instead of holding it up. Kinky Boots is about finding your passion, overcoming prejudice and transcending stereotypes—and one of those stereotypes is that a man must be straight-laced, strong, and a pillar of strength in their family. And when a man can’t live up to that lofty height and stand by a set of convictions that their family can honor, and depend on—they call those traditional types of men a sexist—and hope their wife gives them a piece of ass two weeks after their last period, and consider themselves lucky for getting it. And in the quiet moments when they think nobody is looking, they dress in their wife’s clothing and pretend to be the authority of the house by wearing her pants—then they by a ticket to Kinky Boots.
You want to see hypocrisy, let a traditional family group put a float in the Macy’s Parade full of house wives and home schooled children……………and wait for the violent storms of rage from the gay community, and other progressive groups……….and the result of all their strategies will become very, very clear.