So, how does it feel, “fat boy?” Harvey Weinstein has been caught doing far more than Bill O’Reilly did and for a far longer duration—yet he had the blind eye of justice turned away from him for over three decades while people at the center of his abuse of women stood on stages and protested their hatred of Donald Trump. Yes, there is a lot going on here. The New York Times who broke the story didn’t all of a sudden become America’s best friend. The liberals who are trying to apologize for Harvey’s behavior now can’t because they’ve already said too much about Donald Trump and Bill O’Reilly, have painted themselves in a corner. And only now does the rest of the world learn what I’ve been telling them for several decades now. The below paragraph from Breitbart says everything you need to know about how the entertainment industry has been working and why there is a double standard. Harvey Weinstein isn’t the only liberal movie producer acting this way—the entire industry does—and they give so much money to the Democrats that nobody says anything about it. When you pull the women away from the situation—especially people like Ashley Judd who has been so critical of Donald Trump—remember her at his inauguration, they’ll tell you many sad stories. The situation is as I said it was. Most actresses in Hollywood are glorified prostitutes. They know they have to give producers like Weinstein blow jobs or let those fat slobs ride them like horses in their make-up trailers for all to know if they want to work in movies. That’s why they essentially become man hating feminists once they get into their thirties and aren’t nearly as cute. This little paragraph tells everyone what anybody needs to know about how Hollywood works. Harvey is just the latest.
But here is the thing; according to Peter Biskind’s 2004 non-fiction book Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film, Weinstein manipulated and pocketed the entertainment media in extraordinary ways. He hired countless “journalists” to work for his company in various capacities, offered them glamorous opportunities, and oftentimes threatened to pull advertising from publications working on negative stories. An entertainment media starved for Oscar campaign dollars simply could not afford to lose Hollywood’s most prolific Oscar-winner and advertiser.
For the moment and likely forever Harvey Weinstein is out of a job from a studio he created by rules he molded to use against his political enemies. Again, I can’t say I didn’t predict all this was going to happen just as it is. Weinstein is a major Hollywood producer and he is certainly a large part of the severe turn toward liberalism of that industry. It is guys like him who have helped turn Hollywood away from anything conservative and shoved away the actors that conservatives like, such as Mel Gibson, Bruce Willis, and Tim Allen and replaced them with douche bag cry babies like George Clooney, and Johnny Depp. Those male actors are no less porn stars than their female actor friends. Harvey might not ask for a blow job from the guys, but he expects them to go out into America and sell liberalism if they want to work in his movies. There is no way to go on any of the late night comedy shows like Fallen and Kimmel and utter conservative viewpoints and still expect to be cast into the next movie produced by Weinstein. That’s why nobody said anything—because they all wanted a chance to act. They could talk about Republicans, but they had to leave Democrats like Weinstein alone—even though he was much worse than anyone on the conservative side.
As I usually do, I have some experience with Hollywood when I write articles like this one. For about ten years I was actively working on the edges of that entertainment industry as a writer pitching projects and doing little bit work because of my professional uniqueness with bullwhips. So I have some up-close experience with actors and actresses and have had the opportunity to spend time with them off camera in Glendale where they can let their hair down and behave like normal people. If America understood what these people go through to become actors, they’d understand why people like Ashely Judd become such liberal feminists later in life once that life caught up with them. Madonna thought it was cute when she was younger to wrap Warren Beatty around her finger with voluminous amounts of unrestricted sex—but once she got “old” Beatty is still producing movies, and she’s a used tire in the garage that nobody wants to touch, and it is scary to them—so they become feminists hoping to get back some of what they whored away when they were younger.
But why do these women, and men, feel like they have to become the personal prostitutes to movie producers like Harvey Weinstein? Well, let me just say that if you are an actor in Hollywood in any capacity—you have to be a prostitute to some degree and many figure that they can live somewhat normal lives if they can get into the pants of a powerful producer instead of slutting it up with the porn industry producers. Because if the A List women who work for Weinstein don’t put out—there are literally thousands of girls working in the valley who will. Many of them go to Hollywood to get discovered and become rich. They find out when they get there that there aren’t many opportunities to become the next Ashley Judd or Nichole Kidman. All there is for them is a porn job—if they are lucky. The sets I have been on where extras were brought in to fill background shots always had young girls, nearly 100% who were willing to do anything to get a part in a movie. Many of them were already doing porn just to get by from week to week and looking for a break into a legitimate role. They will sleep with a producer and literally do anything with anybody hoping that whoever they are doing it with might put in a good name about them to somebody like the assistant of the assistant to Harvey Weinstein. They know they either do that or they will literally be stuck screwing some scum bags in a rented storage unit for a fifteen minute online porn piece just so they can pay their rent in an overpriced dump of a shoe box. Everyone knows that you either put up and put out with people like Harvey Weinstein, or you put out for cheap porn—and that’s the reality for the beautiful people. The not so attractive girls have to do far worse just for the chance to hold a clip board on a movie set so they can work in the industry.
That is why they all become such indignant liberals who want to change the world, and instead of looking toward their own lives and the people in them they defer everything to the Republicans. It’s the only way they can get back at people like Harvey Weinstein for making them do so much embarrassing “stuff” yet still have a chance to work in his movies. When they get mad at people like Bill O’Reilly and Donald Trump it’s not really the conservatives they have a problem with, its people on their own side who have forced them to live like dogs for a chance to make a living. Once they’ve made their money and people like Harvey aren’t trying to grab their ass every five seconds they then become righteously indignant. They only do it then because the power of sex doesn’t sell any more so they have to turn toward activism to stay relevant with Harvey who gives a lot of money to Democrats. You have to remember, actors get paid to be other people all the time, so it is nothing to them to adopt whatever social causes there are out there just for a chance to get a movie role. There’s other fresh young girls looking to become the next millionaire actress who was already in Harvey’s pants—so what do they have to do as old hags but take their anger out on people like Trump? They mean to lash out at Harvey, but they don’t want to completely burn their bridges because there might just be a movie role for them as somebody’s grandma/ They put up with everything and shut up entirely just to have a chance to work. That is how the movie business works and why it has declined so intensely. Almost every young actress you see on-screen today has had to do things she is ashamed of. There are great producers like Steven Spielberg who aren’t like Weinstein at all, but the percentages are not even worth mentioning. Most of Hollywood is filled with little Weinsteins—and it has literally destroyed the industry and the people who are responsible for building it. My limited experience on movie sets ruined my love of movies and the business and made me look to other industries to make a good, honest living. Yes, it is that bad. Nothing is sacred in that business—it’s pretty disgusting.
Just for an example let me tell a little story about a lunch I had with a very beautiful young actress who was working her way up in the world, doing movies with Robert De Niro and other A-listers. She wanted to produce a script I had written because it featured a lead position she wanted to build for herself. So we were having a nice talk about how to get the thing done and the whole problem came down to funding. It was a conservative story I had written. She certainly wasn’t a conservative girl, she was a Manhattan liberal, but when talking to me she was all about George Bush—baseball, hot dogs and apple pie. If I asked her to strip down naked right there and paint herself with body paint showing the American flag, she would have done it in a second and been happy about it—because I had something she wanted. She would have told me anything to get me to move toward her position. The finance backers wanted to completely change the story into something much more “Pulp Fiction” because that was the hot ticket at Miramax at the time—ironically where Weinstein was. I thought about it because the writing credit and the money would have been good. This girl was basically willing to say anything I wanted her to say to get the job done and advance the project—and sex was certainly on the table if needed. Ultimately we couldn’t come to an agreement fast enough and her people moved on to a more agreeable writer—not that I was disagreeable or hard to work with—but windows open and close quick in Hollywood. So if you don’t bend toward their brand of liberalism—you won’t get the money for the project. I was shocked how quickly this girl would mold herself to anything I said. I’m sure she did that with everyone. I couldn’t help but wonder what it would be like to be in a relationship with her—as to whether she really knew who she was or not. I mean if you dated her—who would she be? I realized that was probably why actors and actresses have very volatile relationships and usually end up with three or four marriages before ending up as bitter cat ladies later in life. The lesson is that it’s easy to see why actors become such volatile liberals in Hollywood. That’s what gets them work. Conservative people just haven’t figured out that they could get their message out best by funding movies in Hollywood. For a long time it’s only been liberals controlling the whole town like a massive mob.
The big question that should be on everyone’s mind is why did The New York Times do this story on Weinstein to begin with? Aren’t they all brothers and sisters to the cause? Well, this is all part of Trump’s making America great again effort—the Times is struggling and has alienated its readership to only liberals. Before Trump’s election even people like me would read that paper to see what was happening in the world. Well, not anymore. With them becoming so anti-Trump, I haven’t read a single article from them in all of 2017 when in the past I might have read one or two per day. I just can’t stand their bias, and I’m not the only one who feels that way. They have taken a major hit in readership and they need to get some of that back if they hope to survive as a paper outside of the New York market—which they need. Trump has outlasted them so they need to peel away from the Trump stuff and recover credibility. Hollywood is the next target because the numbers are down for that entire industry. Harvey was in trouble before any of this broke and to save themselves the money guys in the movie industry need to get some of these radical movie producers out-of-the-way so that more conservative pictures can be green lit, otherwise there won’t be a movie industry in a few years. I think it’s already too late. So Harvey Weinstein was a proper sacrificial victim. He’s old and wealthy—they just need to get him out-of-the-way to make room for the new—so The New York Times did their hit piece hoping to win back some readership since many of the Trump stories have gone cold and all these hurricanes have driven the public narrative on the president in a positive direction. So the time is up, the Times needs readership back and movie money men need to turn a profit—and Harvey has been holding back the industry drowning on its own liberal ideology. That tells us all what we need to know about how things are going. In many ways, it is because of Trump that this story broke at all. The pressure of his presidency is forcing these issues to the surface—and it’s nice to see for a change.
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