The Communist Swing from ‘High Noon’ to Trump: Why what Jerry Nadler is doing is far worse than McCarthyism

I think it goes without saying that I love John Wayne and westerns in general, but I have always disagreed with The Duke on his opinion about the great film High Noon. I have never seen it as an allegory on the blacklisting and the congressional investigations led by Joseph McCarthy, which many think it was. Yes, there were communists in Hollywood and yes it is true that Carl Foreman, the screenwriter of High Noon was one of them. The un-American activities were in full swing in 1952 led by Russia to penetrate Hollywood so essentially, they could get the control they have today during the years of Donald Trump. As I have listened to the American leftists reaction to Trump this past week and watched all the activity about the FBI and current hearings led by Jerry Nadler and the rest of the Democrats trying to impeach President Trump, I think we can look back at this documentary about the making of High Noon with a new eye toward history. Personally, I’m tired of hearing about how bad McCarthyism was on America and what impact blacklisting had on Hollywood. That cry baby stuff is long over. Conservatives are blacklisted much worse than any of the communists in Hollywood were then, so let’s revisit the morality of that time without the tears that the left have been hiding behind for years.

Truth be told, I spent the first twenty years of my adult life working toward a career in entertainment and planned to have a Hollywood film stint, and at several points I made major strides in that direction. But I am a Cincinnati conservative not that much unlike many stars who have made it in Hollywood quite spectacularly, but times have changed. If we were living in the days of High Noon where John Wayne set the standard and had the clout to run communists like Carl Foreman out of the country, as Wayne did before High Noon was even released, then I would likely be working in Hollywood right now. So in many ways I could lay claim to being blacklisted all of my adult life from the things I really enjoy. But unlike those complaining left leaning losers, I was able to do other things in my life and I have been successful in other aspects anyway. So what is there to cry about unless you are a one trick pony like most of Hollywood was and still is. They are probably worse today than they were in the time of High Noon’s release.

However, John Wayne made it very public that he didn’t like High Noon because he considered it un-American, and Lloyd Bridges was in an acting group that had lots of communists in it, which didn’t help. The American left loved High Noon because they thought of it as commentary on the McCarthy hearings, as Gary Cooper’s character Marshal Kane was a target for revenge for an outlaw that he had put in jail years ago, before his anticipated retirement. The train bringing the villain was to arrive at High Noon and the bandit was intent to bring his gang to the Marshal to kill him. The Marshal was planning to retire and marry his bride to be, but he is still the law in Hadleyville so he had an honorable obligation to fulfil his job as the lawman. Even though it may kill him. Knowing that a gang of four other killers are going to accompany the leader Kane tries to get other members of the town to help him, but nobody would.

The Soviet Union did not like High Noon because they felt it glorified the individual. Even though there were communists working on the film and the McCarthyism was in full swing in Washington D.C. it wasn’t enough for them and they made sure that even though the film won 4 Oscars because the American left wanted the film to do well, it wasn’t enough for the U.S.S.R. So, in that context it should be clear that John Wayne saw the big picture of the matter and just didn’t like High Noon viewing it as an un-American activity. Wayne was so adamant about his dislike for High Noon that he went into production for Rio Bravo as a direct pro-American answer. So, these are not new disputes these discussions about Trump’s swing back to the political right and waving the American flag around in reaction to socialist and communist propaganda. In the days of High Noon, it was denied that communism was even happening, but after the recent debates with the Democrats has shown, socialism and communism are very much the platforms of their party and their intention. So, the cat is out of the bag. Nobody is hiding it anymore. They were always trying to infect American culture with collectivist Marxism in some version or another. If it wasn’t John Wayne standing up to it, it is now Donald Trump. But the effort has always been there, and the debate is not new.

What has everyone in a panic now as opposed to the times of High Noon is that the political left felt that the pendulum was swinging in their direction in 1952, and it was. Leftist politics and open socialism were being debated, even if masked with different names and that swing has gone on for well over 50 years. But people are sick of it, and for anybody who saw Trump’s rally in Cincinnati in 2019 could attest to, people are now rejecting the political left. Trump is just the vehicle; the movement is taking a life of its own. For the same reasons that westerns were popular in 1952, conservative ideas are reemerging from the aftermath of failed socialist policies regardless of what political theater would like to believe.

The blacklisting that is going on currently with Facebook, Google, YouTube and many others is far worse for conservatives than it was ever in Hollywood as a direct reaction to McCarthyism. And its not John Wayne anymore trying to keep the pendulum from swinging to the left with more and more pro-American westerns. This time it is the left trying to fight the trend, the media that the communists did get control of. They couldn’t get the anti-American ideas to stick and patriotism is back in style and in spite all their screams of warning, are losing. Regardless of the political tendencies of the movie High Noon, I think it’s a great movie about society failing the individual yet the individual doing what needs to be done against all odds to do the right thing. It is certainly an American film especially in relation to the films of today which are far, far, far more left leaning than High Noon. But it is interesting given today’s political climate to look back at that time when the left was winning and building their case and crying about blacklisting. They have gone far further than anything John Wayne did or any other pro-American advocate during the periods of the Hollywood westerns. I could feel bitter about it, but as I said, I moved on to other industrious efforts. The left can’t and they are choking on their own crap and you know what, I think its funny. I am enjoying the show, because they deserve everything they are getting now. They started it. And its good to see them suffering now.

Rich Hoffman

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