Nobody Should Care About China’s Box Office: Reaching a market of over a billion people can’t justify surrendering to communism

What I have always loved about Star Wars, aside from the obvious creativity that it takes to make the movies, is that they are in and of themselves positive stories that don’t get hung up on negativity. Yet the theme of our day is negativity, because if people are in a state of discontent they may be open to the offerings of some political class. It was probably always this way to some extent, but its really bad now, where negativity is insisted upon by certain sectors of the world, as a culture. Yet, its not always easy to see, but when something like a new Star Wars film comes out, the pop culture reaction to it is an obvious measure that we can all see and touch. And it was never clearer as to what the intentions for our society is than in reporting on the new Star Wars film, which was probably the most positive film I’ve seen by anybody in a long time, and one that certainly stands for goodness. Clearly the intent of the characters in the movie were to make clear choices about good and bad behavior. So of course the focus on the reviews was that this latest movie, The Rise of Skywalker is that it is the most poorly reviewed film since The Phantom Menace, and that it has bombed in China at that box office, see the Variety article below:

https://variety.com/2019/film/news/star-wars-the-rise-of-skywalker-flops-debut-china-1203449672/’

This is why I write so much about Star Wars, the movies are very positive and defined about what good and evil should be—as any kid’s fairy tale would. That makes them as a work of art a wonderful measure about social values and the motivations of our cultural forces. Further, I would offer that communism has been the functioning plan for many years, especially those college trained as all media people are to some extent, certainly in the case of writers of these types of articles like Patrick Frater a defense of China and its communism is baked into their view of the world, and by attacking films that are distinctly American points of view, China continues on with the mission they’ve had all along and is constantly assisted by universities and their products to advocate for and against certain types of cultures. The effort becomes grossly obvious when entertainment trades make it so obvious such as trying to slam a movie as successful as The Rise of Skywalker which made over $177 million domestically over its opening weekend and will continue to do well at the box office over the long Christmas week. Especially when the news around the world that in just a few days it made $376 million globally. That is hardly anything to sneeze at, or to ignore, culturally.

The problem is one that I have pointed out often, especially coming out of Hollywood for more than a couple decades now, where Chinese companies have been buying up interests in film studios and even trade magazines. They have been trying to do to American markets what they do internally in China as communists, and that is to control everything at every level. I mean give me a break, Star Wars was beat at the box office in China by Ip Man 4: The Finale, and that is very fishy. Instead of making the story about the Chinese box office being a failure of Star Wars to reach an audience, the story is really about how China as a government controls such box office numbers so that they can protest against western ideas influencing their country, especially when the protests in Hong Kong are fueled by those same western ideas. The box office numbers themselves do not tell the story, but our media which has been heavily influenced by the Chinese even from such a far reach uses the known measurements that China controls to attempt to shape the kind of stories that are told in our culture—which the rest of the world obviously loves as they were.

I admired Disney, which is a big global company that wants to please everyone, because they allowed the filmmakers of Star Wars to get back to what made the films popular with fans and The Rise of Skywalker is a love letter back to them full of very positive storylines that don’t get hung up on negativity. The previous installment The Last Jedi was taking a turn to the dark side in all aspects and critics loved it. But the fans didn’t. As I said at the start of this article, one way to control people is to take away from them hope, disconnect them from options so that they will be forced to embrace a way of life that the controller wishes to impose. When Star Wars looked to be taking a negative “realistic” tone with this modern trilogy, critics loved the film, but when the box office diminishing returns started showing that fans were leaving, Disney had to make some decisions and listen to the fans, and return to the kind of storytelling that Star Wars has always been for people—which is not the trend of the world full of communists in China that still have global plans.

I doubt that Patrick Frater from Variety is an open communist, but I would bet that he’s likely an anti-Trump political personality and that the whispers of his college days speak to him in copious amounts, and that the roots of those whispers were sympathetic to the type of society that China has been trying to export for decades. Star Wars obviously stands against that sentiment. While in the states, Variety has been very supportive of Star Wars so long as they could view the Resistance as being anti-Trump and liberal. However, the reality is that Star Wars has always been a small government love letter and few stories in the history of storytelling has ever shown how a government can be great one day, and on the next turn into a mass manufacturer of dystopia and scandal. The enemies of American ideas I would offer are those who have also been giving bad reviews to The Rise of Skywalker. While Disney has tried to make everyone happy, especially with the ridiculous lesbian kiss at the end of the movie as if to throw a bone to the dogs, ultimately there is no way to shut out the negativity that comes from the press because the goal is to attempt to keep people from being enchanted by the positive messages of Star Wars, since it is control over mankind that is at stake.

This movie is just one more example of why China is ultimately irrelevant. Nobody can make movies culturally that China and America will enjoy together. If a film studio tries to make movies that China will like, American audiences will push it away. And if the story is too “western” then China will shut it down in their markets. This is the nature of this entire battle yet I don’t see any evidence from the trades in dealing with the issue properly. That is because they are part of the problem and when they can, such as in this Variety article, they must take down any challenges to China as a communist culture. To save Star Wars, Disney had to choose, and they went with traditional western storytelling as they should. Nobody cares about China’s stupid contributions. Its worth dropping a $100 million at the box office, which is likely what it cost. But that money will be made up many times over in the other markets before its all said and done, and Disney will be rewarded for their choice, even if the trades like Variety are rooting against it for all the reasons stated.

Rich Hoffman

What Disney Calls Magic is what Chick Fil A Calls Competency: Taking away the excusses to happiness

People have been wondering why as a grown man who could go anywhere in the world why my wife and I went to Disney World for vacation, without any kids. Well, there were a lot of reasons, but one of the main ones is something I don’t hear a lot of people talking about, but its at the core of their theme park business model, and its very similar to Chick Fil A. What Disney sells is happiness, its in their mission statement which is clear the moment you enter the property in Orlando welcoming you to the happiest place on earth. Obviously the first thing that cynical people think of in Disney are the huge expenses and the long lines, but there is a reason everything costs so much yet is so extraordinarily crowded. Its essentially for the same reason that Chick Fil A is crowded every afternoon just for selling chicken, it’s because as a company, they don’t make excuses for failure and have a can do spirit on everything, and that is precisely what people are looking for at the Disney Parks, and why I specifically wanted to vacation there. I’m a very positive person and professionally everywhere I have turned over the last year and a half was some drag asser looking for every little excuse not to do something, and it was driving me crazy. It had been time for a Disney vacation.

That doesn’t mean that what you get at Disney is happiness. I watched carefully during my vacation the other people who were looking for the same thing as me, but obviously were not so inclined to experience such a product as Disney calls “magic.” Magic is the word for it, because in reality, its only the performance of illusions, not some mystical energy created to manipulate the impossible. Magic to create happiness is a series of tricks designed to evoke in the user a feeling they couldn’t get anywhere else, but not all people are prepared to experience it. So they can go to Disney World and spend many tens of thousands of dollars, they can have their magic bands and take the shuttle from the airport to the parks without paying all the tolls on the highways between the two, and all they’ll see are long lines and misery. They’ll complain later that Disney World is all about just making a buck and is for kids as they seek some psychological distance between their present reality and any future attempt at happiness. For many people, they do not want to be happy, because there is responsibility in it, so even going to Disney World can’t do it for them. But on this trip, I wanted particularly to study Disney as a company and how they maintained their brand so I was watching with different eyes than I normally would in times past.

One thing that was obvious, and likely the key to their success at Disney was that all of their employees were taught to buy into the philosophy, like Chick Fil A. You don’t go to Disney to hear excuses about why this or that can’t or won’t happen. With them anything is possible. Any request from a customer is entertained, and it’s done so with a smile on their faces. As I went everywhere and asked lots of questions of what they call “cast members” a personality trait emerged that was part of their employee development. The customer was always right, and the employees of Disney were taught never to complain, or to let it out that they disagreed with those very valuable customers. Everything was on time; no rides or attractions were shut down because they didn’t have enough employees to operate the activities. Nothing stopped at Disney World due to massive call offs of a weak labor pool to draw from. To make the parks work magically each day, it literally took tens of thousands of park employees to make the massive operation run. If 10% of their work force didn’t show up for work on time there would be big problems in selling that happiness, yet Disney didn’t have that problem at all. The reason why is the key to the answer.

To conduct my experiments my wife and I stayed in Kissimmee and spent some time out of the park interacting with the various work cultures there to draw some long-held conclusions that I have had. In years past, whenever we went to central Florida, we would meet at the family condo over in Cape Canaveral, and a fair amount of socializing was always part of the trip. This time, we didn’t talk to anybody, we just conducted my experiment spending a lot of time at all four Disney Parks, eating and interacting with their various resorts, and crawling over every inch of their Disney Springs development. We used all their various transportation systems and even talked to the janitors who walked around the park cleaning up the trash. I purposely looked for the ugly side of Disney, any peeled paint, any decaying wood, any sign of shortcuts toward the magic illusions that Disney was so obsessed with creating. Then once the parks closed, or before they opened, we would eat and shop down in Kissimmee and the differences in culture were obvious.

We were staying only two miles from the entrance to Animal Kingdom and Hollywood Studios the entire time along RT 192 which had a lot of great Gatlinburg types of tourist traps that I love so much. Only the employees almost everywhere we went sucked, and I mean, they sucked big time. We went to Joe’s Crab Shack which was just a stone’s throw to the south of Animal Kingdom, off the Disney property and it was obviously mismanaged in a terrible way. It took 15 minutes for someone to even ask to seat us, even with most of the place full of empty tables. Then we were told it would take an additional 15 minutes to seat us. When I asked why, they told us that they had a few call-offs and that they were running behind. Disney operates hundreds of restaurants, hotels, rides, and other vendors and I don’t think they would permit any of their employees from making such a ridiculous statement. Why would a business make their mismanagement problems the problems of the paying customer? Its an absurd concept, so we left Joe’s Crab Shack and looked for other options. And we found the same behavior everywhere else, including a Cracker Barrel

Our hotel had half dead slugs running the place, the room cleaners kept forgetting to give us new towels, coffee packs and whatever we asked for because they were not engaged in maintaining our happiness. They were just going through the motions like the rest of the world. Disney by contrast didn’t permit such excuses and that was obviously part of what they called magic. From the airport in Orlando to the surrounding establishments around the Disney World property, the contrasts were obvious, and a key to the success story. It really came down to a management decision to take away the excuses of unhappiness. If people wanted to see the strings and hidden chambers of the magic show, they could. But Disney would not be responsible for it. Their whole thing was to take away the excuses to be miserable. If people chose to be miserable anyway, that was on them.

I am one who likes to be happy, so it didn’t take much for me to enjoy that level of competency. In such a “can do” culture it doesn’t take much for me to respect such a thing. The cast members no matter how important their roles were in the customer experience held to the company motto and it was obviously successful. It shows what can be done when a company has expectations from their employees to behave a certain way and to ensure that the customer experience from their side is positive and excuse free. And in that, there are lots of lessons for the outside world to come to grips with, which is precisely why I chose this vacation over other options, which I’m glad I did.

Rich Hoffman

The Great Work of Disney Imagineers at Disney Springs: Every zoning board in America should pay attention to the good work there

One of the things I was most curious about, regarding the Disney Springs renovation from what used to be called Downtown Disney, to its present form, was why the Imagineers felt they had to create a fictional back-story about what is essentially a shopping and entertainment destination. I have always loved Downtown Disney and when Disney bought Lucasfilm back in 2012 I had a strong feeling they would do good things with the Indiana Jones property and was excited to see what it might be. I was a little surprised that the creation of Jock Lindsey’s Hanger Bar was one of their first projects so upon landing in Florida during a recent vacation it was the very first place I went. I couldn’t wait to get there as I had been watching the re-construction of Downtown Disney into Disney Springs for much of the last decade and I had to see, smell and touch everything.

My point of reference for these kinds of places is Atlantis from the great book Atlas Shrugged, the kind of world that if human creativity was left alone to do its thing, what kind of great things could we make. The closest I can think of anywhere in the world is the Disney managed properties of Disney World, for which Disney Springs is a part. I don’t care that things are so enormously expensive there, because like the book Atlas Shrugged, the value for money and any other currency is in the product themselves. Disney sells happiness, and if you have enough money, you can buy some. Their Imagineers are happy to give you happiness, so if you can afford it, you can purchase for yourself. But its not free. So using that as my guide, I was delighted to visit the place and compare it to other places around the country that I admire, particularly a shopping complex in my hometown called Liberty Center which I love quite a lot.

But what mystified me, even as a person who understands the importance of mythology in everything, is that Disney created this fake backstory about Disney Springs and even Jock Lindsey’s Hanger Bar and that as guests we were supposed to accept it in the same way we might accept some reality from the theme parks they are so known for. In fact, just about every new hotel and construction experience on the Disney property in Florida these days has some kind of made-up backstory which I found perplexing until I visited the place for myself. Even watching the construction updates from a distance for several years really couldn’t bring context to the effort until you physically visited a place like that.

Upon seeing the creation of the springs at Disney Springs I understood immediately what the Imagineers were going for, its what I would call a “conceptual faculty,” the ability to see an abstract concept in your mind so that you can bring it forth into a reality. By creating all these back stories for stores and restaurants at Disney Springs the designers were able to use mythology to elevate the construction and its psychological impact on the consumers. Normally it would be up to the companies who become tenants at such a place to set the tone of a project, but in this case the backstory of the concept allowed all participants to align the scope of the project to a unified vision, and it was pulled off brilliantly. For me it was quite a magical moment to spend the afternoon in Jock Lindsey’s looking at all the relics from his past in chasing Indiana Jones all over the world and to stroll a few short steps from that front door to the fantastic springs of Disney Springs with all the commercial activity situated around it.

The thing that struck me most about Disney Springs is that in no way in the world would any zoning board trained at today’s colleges approve such a plan and allow an entertainment district like Disney Springs to be built along the many natural springs that are found all over Florida. The political bureaucracy would be mind bending dull and laborious. It just wouldn’t happen. So to sidestep that little problem, Disney Imagineers just created their own lakes and springs so that commercial development could take place around it, and the result would be spectacularly beautiful. The result as I could see it was essentially John Galt’s Atlantis where great creations from great people were on full display without the imprint of local and state governments regulating fun beyond recognition. That is largely because Disney controls what happens on their property to the most extent that any modern company could. I don’t think it would be possible to build something like a Disney Springs off the Disney controlled property due to local regulations picking it apart until there was nothing left.

Even at Galaxy’s Edge, the new Star Wars land which I will be talking about alot, the backstory that was created for it as a project gave the Imagineers something to build to, a way to conceptualize the project and overcome whatever problems came before it. Such a method of approaching a construction project had really improved Disney Springs since my last visit and the overall approach of the entire network of theme parks. This point hit me hard while traveling on the new Skyliner system of gondolas that are now connecting Hollywood Studios with the Epcot Center. Many of the hotel complexes that had been created recently along that gondola path all had similar backstories as were used to create Disney Springs and the elevated mythology had propelled the scope of the projects to a much higher level than would have otherwise been achieved using traditional building methods at the development stage. This ability Disney has been using with its Imagineering department to help guide all their construction departments had yielded results in the final presentation they wouldn’t have achieved any other way.

To that effect I was greatly impressed by the work at Disney Springs. I would say that the complex alone would deserve its own vacation destination, but for me it was only one very small part of my trip experience into enjoying the fantastic work of the Disney Imagineers. Locals obviously were taking the place for granted, but it was clear to me that what was happening there was very unique. It would be great to see other places utilize the same methods to push up their own projects to such bold levels. Like John Galt’s Atlantis the mind of mankind has shown time and time again that it can do better than nature, and if nature is in the way, that we can simply build over it and do a much better job. As a company I’m sure Disney wants to appease the climate activists, but clearly as an organization their ability to put story before sentiment has helped their creative people in the Imagineering department do things they otherwise wouldn’t be able to do. The results are obvious and very exciting. Even if I was a little skeptical, it quickly became clear that this approach was something everyone should be doing, and it was a wave of the future that was not so obvious except in seeing the results firsthand.

Rich Hoffman

The Magic of Disney Imagineers: Enjoying a world where creativity is unleashed and money is not an obstical

For me, the most enjoyable parts of life come from cultures that are “can doers” as opposed to those who use every excuse in existence not to do something. Whether its family, friends, co-workers, political alliances, or just basic economic considerations, I enjoy most what can be done and hate the most when people point barriers as to why something can’t. That is why so many of my articles are about taxes, politics and prohibitive psychology. The people I like most in the world are those who find ways to do something. Those I like the least are those who must be drug through the mud on everything, whether it’s a movie, buying a new car or house, or just going to the shopping center to purchase socks or something iniquitous toward daily life. Therefor, when it comes to my own needs to recharge my batteries, I find places full of energy and creativity the best for me and is my idea of a vacation. And more specifically, I love the type of people that the Disney Company hires as Imagineers, very imaginative and whimsical people who are also very smart on the engineering side of things. I enjoy the products they create and is my idea of a vacation to see their work.

With all that said my two favorite kinds of people are very creative types, and engineers, very smart and logical people. Sadly, for me, those traits often don’t exist in the same people, so I have to speak to a lot of people to get all those elements in my life. But in doing that, it takes time away from other things, which for me there never is enough of it to give. I fly in and out of meetings with people because there is always something going on that I need to do and in my own pursuits of these creative things, it’s a lot like digging for gold, you put a lot of effort into getting just a little bit. However, at places like Disney World, the reason things cost so much money ultimately is because the entertainment company tends to hire just the kind of people I have said I like the most and over the last decade, under the guidance of Bob Iger the Disney Imagineers have been given a lot to do and I enjoy watching them do it.

I think Bob Iger as the CEO of Disney has done a great job and in many ways I am thankful for him and the chances he has taken to advance the input Imagineers have had on the company. I’m not at all crazy that Iger is a Democrat. For this series of articles, I won’t hold that against him because he has made some great decisions to free the type of people I am talking about up so that they could do the best work possible. So for my vacation this year I have been at the Disney World complex in Orlando which I make no mistake in loving as I’ve said many times in the past. But this time the scope of my visit has been to enjoy the work of the Disney Imagineers in the way that one might enjoy the Mona Lisa at the Louvre or any other place where great creativity is on display. I consider the work of Disney Imagineers to be far better and superior to other acts of human endeavor and capitalism is the fuel they have to create such fantastic attributes. So under that definition, I have always loved Disney World and that is an emotion that grows as time advances.

I timed my visit to the parks this time to match the opening of the new Rise of the Resistance ride at Hollywood Studios and to enjoy the new Star Wars land that its in called Galaxy’s Edge. But its more than just geeking out on Star Wars, for me its all about the Imagineers who have been turned loose by the Disney Company to make so many great creations over the last decade that I have been so excited to see on a whirlwind trip that I had been looking forward to for a long time. Disney+ the new streaming service showcasing the many products of Disney over the years has a great show they produce dedicated to their Imagineers which I would highly recommend watching, even for a casual observer. If the world had more people like those Imagineers in it, everything would be better. And in spite of my thoughts on how the Disney Company has handled Star Wars, by introducing way too much social justice into the franchise and pushing it to near ruin, the vast financial resources that Disney has can not be understated in giving their Imagineers the time and money to make some of the neatest creations on planet earth, which I think is far more significant.

So this vacation of mine has nothing to do with rest and relaxation, or unplugging from the world, its all about relishing the products of raw creativity and vast amounts of financial resources. For instance, the new Star Wars land at Hollywood Studios and the park in Anaheim, California cost around $1 billion. No company on earth in any country could do something like that, so I can think of no place anywhere to visit that is better for my purpose, and that is to enjoy as much Imagineering created by raw capitalism that could be found anywhere. And for me, the first stop was to the newly renovated Disney Springs shopping complex where a bar was dedicated to one of my favorite movie characters of all time, Indiana Jones called Jock Lindsey’s Bar and Grill. I literally got off the airplane at the Orlando airport and headed there first because it’s something I’ve been wanting to see for a few years now.

The restaurants and shopping district of Disney Springs is what I would call a perfect marriage of the kind of world we should have everywhere. Because of the way Walt Disney bought the property in Florida, they have their own central government which helps with their regulatory burdens. When they need to fix a road or get a permit for a new building, the amount of land they control has given them their own governing ability, which keeps the bureaucracy to a minimum. A place like Disney Springs would not have happened any other way, and certainly nothing like Jock Lindsey’s Hanger Bar would have never been born from the minds of Disney Imagineers. But its not just that, all around the complex the input of the Imagineers is everywhere, most spectacularly in a recreation of the kind of springs that are so popular in Florida as the centerpiece. It was spectacularly beautiful and in a lot of ways much better than nature itself. The marriage of so much creativity with corporate capitalism at Disney Springs is something that was just wonderful in so many ways, I can’t think of any place I’d rather be to recharge my own batteries.

Politicians and other bureaucrats in any community anywhere in the world would find a million reasons not to build something like Disney Springs. And that is just the reason I love going to those types of places, because the level of creativity and the money to spend on it is so abundant, it is great to see what the human mind can produce if only they are allowed to. And in no place in the world are imaginative engineering types even employed, let alone turned loose to create so many fine works of art for the purpose of entertainment. And in our American culture, that is something to cherish, and to provide plenty of reverence, which I do.

Rich Hoffman

The Mandalorian: One great show on Disney+

So the Mandalorian television show for Star Wars showing on Disney+ continues to impress me and make me very happy to have the new streaming service option as part of a massive collection of entertainment options. At this point there have been five episodes and its quite clear that the creators understand what Star Wars is all about, even if critics are still mystified as to the magic. Most people love the show, many of them like it. I have yet to hear from people who hate it. Critics in the industry continue to measure “greatness” by the amount of social justice in any entertainment product, and Star Wars has never been about that. When Disney has tried to make social justice part of the experience, Star Wars fails. And that is not the case with The Mandalorian. I wouldn’t say that Episode 5 was my favorite so far, but I do love the title, “The Gunslinger.”

It was fun to travel back to Mos Eisley spaceport on Tatooine from the original Star Wars movie and see the cantina, the Dewbacks, and the docking bays that originally started us all on this massive journey. This particular episode reminded me again of many of the great westerns that I grew up loving, specifically in this case, The Unforgiven with the stupid young kid playing off the much more experienced gunfighter. Critics keep providing a disclaimer that this series is Saturday morning cartoon material, and more specifically, Saturday morning matinee material which George Lucas grew up on. OK, so what? That’s what makes this kind of entertainment so special. That’s how Star Wars was born to begin with, so its not surprising that the creators are trying to get back to the roots of what makes the brand so special. Sometimes its good to tell a story without trying to change a public narrative, but one that reflects the one we have. Disney has certainly listened to the fans even if the industry is still trying to scratch their heads at why returning back to Mos Eisley was so much fun for fans.

I think its great that female directors are working on The Mandalorian. I thought Bryce Dallas Howard did a great job with Episode 4, brilliant even. It doesn’t matter to me if the director is a man or a woman, what matters is if the content is good, and with this show, it is. So long as nobody tries to turn the show into something that its not, The Mandalorian will continue to be a hit. I found myself looking forward to this latest episode all week and its been a very long time since I’ve had that experience, especially these days with all the on demand content that you can binge watch. Having a show that is this much fun to look forward to after a long hard work week is a wonderful thing to have, and I must thank Disney+ for giving it to us.

What is unexpected by me at this point in the show’s run is the popularity of Baby Yoda which is all anybody who is anyone is talking about. The little creature from The Mandalorian is taking over the internet and people are falling all over themselves for a chance to get the first merchandise that goes on sale. The Mandalorian is a cool show, so it’s a bit odd that such a cute character that so many people love has come out of it is the surprise. At this point in the season I wouldn’t have guessed that so many people would be talking about it. I would say the character is so popular that if we put Baby Yoda on the ballot for the next presidential election, that he’d win. That is the state of our political life these days, and maybe that’s not a bad thing.

The value of something from a scientific perspective is whether or not its fun. In a society of thinking human beings, we all need a little fun in our lives, and anything that gives that to us is a tremendous benefit. Having fun gives us the ability to set perspective and manage stress, so in that regard, The Mandalorian is better than just a show, it’s a wonderful stress management tool full of big ideas as this gunfighter/bounty hunter travels around a galaxy in a cool starship and interacts with all kinds of challenges without getting too emotional. That makes these shows fun and a great relief from the mundane outside world that is addicted to problems and stagnant thinking. So far, The Mandalorian never seems too far from a solution no matter how great the problem has been. In this Episode 5 The Mandalorian gets into a dogfight in space with someone trying to collect a bounty on him, and his ship is knocked out stranding him. He doesn’t panic and cry to his mom, he just calmly fixes his ship and gets going again. Traditionally, that is what the Saturday morning serials did for young people, show them how to deal with tragedy with a kind of bravado that made all their normal problems seem small, and in that way, solutions were easy to find.

Everyone in entertainment could take a lessen from The Mandalorian. Nobody says that a good show must have a huge budget and a bunch of cry baby characters to be good. Just giving the audience what they are looking for is the most important thing. Nothing about The Mandalorian is trying to be the next critically acclaimed show, it’s just having fun being what it is and its kind of strange to find that so refreshing because when I was growing up, most everything that was produced had that kind of whimsical quality. Most of the time, the best things are the things that critics don’t like, because many of them have some social agenda they are trying to steer creative people to, such as social justice concerns that are here today and gone tomorrow as a political priority. The things that matter most to people are things that last no matter how politics are aligned.

If Disney keeps up this kind of production I will be firmly in their camp. I have been skeptical about them as a company as they have been way to political for me, even as recently as Frozen II. I am very much a lover of traditional Walt Disney productions, and this Mandalorian title and the direction of Star Wars recently gives me hope that we can get back to that kind of story telling and cultural reverence. But I’m bound to like anything that has the title, “The Gunslinger.” Kids need a lot more entertainment like that, the values extend deep into our culture not just into our past, but for our future. But heck with the kids, I need more of this, and apparently so do many other fans of the show. Baby Yoda is cute, and it makes the show better. However, what makes the show good is that its fun, and its not afraid to take some chances which is why I look forward to it all week long, and watch it at my first available moment every Friday.

Rich Hoffman

How to Kill a Bear: Disney+, Congressional Impeachment, and a Metrosexual invasion caused by our education system

I was reminded of something while watching the old Davy Crockett shows on Disney+. While its obvious that Disney has been part of the problem lately regarding social justice, and that disclaimer certainly comes with their views on some of their older products, like Crockett, they do have a vast body of work that has been very good and now that they are all in one place, its been very enjoyable for me. I have been able to go back and watch the old Zorro television shows and other wonderful, old fashioned stories from a one stop shop reconnecting me to many of the good memories of my childhood. Yet even then, as a child, my thoughts were out of step with the rest of the world. Not that they were wrong, just out of step. In Sunday school, which I attended most of my youth along with church most Sundays, I always skipped the line about Jesus Christ, “we are weak, but he is strong” because that was never my plan, even as a five-year-old. But in the first episode of Davy Crockett from the Disney television show where he single handedly wrestled a bear and turned it into “table meat” with his bare hands—well that was something I could admire. And I did as many young people did.

My thoughts about public education go back to the very beginning. I hated it from day one of my very first hour in kindergarten and I never warmed up to it. I would describe my experience as a kind of Papillion complex where I felt imprisoned and intent to wait out my enemies with sheer endurance. But conversion over to their way of thinking was never on my radar, nor was compliance to their stupid rules and modes of thinking. I can’t say that my parents did anything to me to make me think this way. I’ve always been a very private thinker with a lot on my mind and the very first hour of public school with a bunch of other lazy minded kids was not pleasant. Nor being told that I was expected to limit my own growth to their parameters. The result of that was that I grew up always in trouble because compliance to a norm was the parameters of success and honor, which I never accepted.

My parents ground me from everything I enjoyed which only made matters worse. From their point of view they had to get me compliant to the social norms of kids my age so I spent most of my youth grounded from television and other things kids do, because of all the trouble I had at school. I was allowed to read books so that was what I did. But when I wasn’t grounded and could watch television with the family, shows like Davy Crockett and other great old westerns were things I soaked up for all I could get before my teachers would call my parents again over some disciplinary action that would put me back into solitary confinement again. When I could drive a car and get away from all those restrictions I did, and in a big way. I’ve told the stories elsewhere, but I drove everywhere very fast. I got into a lot more trouble legally by almost every county in southern Ohio but I had no regrets. I’m proud to have survived it all with my mind intact. I would say my situation is very unusual, but the sentiment is not uncommon. Most people have thoughts of such a preservation of their intellect, but along the way they get broken by the compliance track. And now as adults they know of nothing else and it is destroying the world in ways that I’ve been warning about my entire life.

Watching the impeachment hearings has brought all this up in a raw form because of my ruthless dedication to the cause. I joke about an invasion of metrosexuals but even so, it is clear that they are numerous and were raised to think the way they do from our very deficient education system. Some get out of it alive, but most don’t and it’s getting worse. You get a stable measure when something like Disney+ comes out and you can see what people used to value as opposed to what they value today, and the cause of that difference is the influences kids get as a youth. If the entertainment culture and education system are all saying to conform to some rules and regulations that were created by bureaucrats to impose order as opposed to freedom of thought, then the result will be obvious, and we are seeing it during the impeachment trial.

Women have always had it in their DNA to be something of a compliant figure. Their biological job has been to give birth, and nurture that family. Anything away from that is a matter of human invention created by political movements, not aligned with human biological need. They’d look to their husband, their social network, and their larger regional identification for the rules to raise their family within for the sake of their children’s safety. Even now they are the helicopter moms that are putting pillows next to their kids to break their every move from the possibility of danger. With that being said, men were the dynamic influences that balanced out danger from safety. Danger is always a good learning opportunity especially if the goal is to become more individually independent, which all minds yearn to be in some way or another.

The trend of public education was always to built compliant people, not necessarily thinking ones, and that is most obvious by the actions of this current congress and the media dialogue that is spawning off it. People not broken by their pasts are not buying into it, but for those who have yielded to the pressures of their youth, they are obviously lost as to how a president like Trump could act so easily on his own and think so confidently in his own thoughts. That bewilderment is the root of their entire case and it really goes back to the kind of thinking where Davy Crockett killed a bear with his hands all by himself. Today’s metrosexual male trained in the ways of the tyrannical public education system would have to get a group of people to build a concession plan as to whether or not to kill the bear, and while doing so, they’d have to plan how to do it. By the time they would get to actually killing the bear the creature would die of old age. And that is the expectation of our education system. To destroy the ambition to kill bears with one’s own ambition and skill, and turn all individuals into a compliant blob where nobody can do anything without anybody elses’ permission. It is the same kind of thinking that went into building the United Nations. Nobody goes ahead of any others. Nobody has more or less and in that way, there will never be any conflict. But at the expense of progress.

Young people no longer have such influences of Davy Crockett to tell them that maybe they could grow up to kill a bear with their hands alone, but the message is that they are chained to their neighbors and community members and their limits. And that we should be happy to reside there unquestioning. That is why congress thinks they can turn the message of the impeachment attempt against President Trump, because they trust that system so much that they assume it will work. But what they fail to realize is that even though many people have been intellectually broken they still have that deep fantasy as people of being free of that burden and Trump offers through his brand a release from that prison. And that is what our modern political movement is based on. People are rejecting that education system of compliance. While some have found success in learning the rules and being nice compliant shrimps such as these metrosexual types, most are resentful of the intrusion and they escape from the rigors of life to their televisions where Disney+ now has so many offerings. But among them are not the progressive garbage of our modern age, but of the traditions that made Disney such a great company to begin with. And that is something that can only be good for the vast amount of minds imprisoned otherwise to faulty modes of thinking, and providing an option they have desperately been in need of.

Rich Hoffman

D23 and Star Wars: Liberal ideas are rejected everywhere, especially in a galaxy far, far away

It’s important because it involves so many parts of our culture, but as I occasionally do write about Star Wars it is interesting to watch as how its meaning has changed for people over time. Personally, when people ask me how I’m able to do so much on such a range of things, it’s because I use mythology to grasp concepts so that there is room for ideas to be conceived and to grow. I would compare it to a bowl to hold something like popcorn in, the bigger the bowl, the more ideas you can hold. Mythology is how the human race holds ideas that it can then grasp and work with, and the bigger the ideas, the better functioning the society. In a lot of ways young people have more than ever lots of vehicles to invest ideas into, not just the movies that we all grew up on, but video games, a lot of literature, and all the streaming services that are available such as Amazon Prime and Netflix. And to make those streaming services flourish there has to be a lot of content and Hollywood, as I have been saying for years, is struggling to produce. We live in one of the most creative times in human history, but we have more than ever also witnessed how liberalism in general in a culture of mass competition for ideas shows the trends of society and nothing more vividly displays that trend like Star Wars, because it is at least a cultural measure that everyone can pretty much agree is a standard mythology of our culture. Not everyone likes it, but it manages to touch most people in some way or another making a great platform for analysis.

So to catch everyone up on where Star Wars is, there is a movie coming out this December, it’s the last film of the nine part series that has been going on for 40 years. It’s an important key to whether or not Star Wars survives into the future because as of now, it only has nostalgic value. Young people don’t necessarily like it on its own, its more something that they can share with their parents and grandparents, so the brand is struggling. Watching all the D23 news from Disney over this past weekend there is a lot to look forward to from arguably the largest media company in the world. But the evidence that as a very progressive company that has lost their way into making new and fresh ideas is obvious. Disney as a company is living off their legacy properties and what they’ve done many years ago, not what they have been able to do lately. With the exception of the Marvel movies, there hasn’t been anything fresh from Disney for years as they have taken for granted that people will buy into their products even though they are spewing with progressive political causes, such as race diversity, sex issues such as feminism, and elements of gay rights that most people just aren’t comfortable with. Disney as a company has tried to hide their massive appetite for capitalism behind progressive causes and it has hurt them tremendously—because they weren’t honest about it. They would have been better off to proclaim that they are happy to make money and not ashamed of it one bit instead of trying to sell themselves off as progressive activists laboring for every liberal cause known to mankind. Not so much at the stock exchange rate yet, but that is coming just as I stated years ago after the first new age Star Wars film came out, that Disney has really screwed up the multi billion dollar franchise leaving them desperate to fix it, which is what they are promising to do on several fronts starting with the new film coming out this December in addition to several live action television shows coming to their new streaming service, such as The Mandalorian, and a new show just about Obi-Wan Kenobi played by Ewen McGregor which fans have wanted for over 20 years.

Star Wars, especially the best parts of it such as the cantina scenes where Obi-Wan cuts off the arm of an assailant in A New Hope, then shortly thereafter Han Solo kills the bounty hunter Greedo in a blaze of gun fire, these modern progressive filmmakers thought that what they had made with Star Wars could be that bowl I was talking about that could hold lots of ideas including copious amounts of progressive sentiment. Even with the billions of dollars that Disney has put into Star Wars the fans have responded flat which was most notable with the most recent Star Wars movie, which I loved, Solo: A Star Wars Story. After The Last Jedi, which I enjoyed, fans had shown they had enough of Disney tampering with something they loved and they were rejecting the Disneyification of Star Wars outright, and not buying the toys, and merchandise at the levels that Disney needed them to in order to justify their investment. This has been obvious now that the big Star Wars lands that have opened in California and now in Disney World in Orlando and people aren’t that interested. I warned everyone way back in 2015 on radio and several articles, that the key to the franchise wasn’t Luke Skywalker, it was Han Solo, the space cowboy that reflected the American values of Ayn Rand and John Wayne, which has always been at the heart of Star Wars. Star Wars for people is best when it has those elements, not actors that were cast because they were Latino, or because they were women—but because the characters were good and the actors fit the part. When Disney essentially killed off the angry white guy characters and failed to replace them with new ones, they lost their audience. The Last Jedi was essentially a movie where all the white men were killed and the crazy progressive women were all in charge and people, real people who are out there voting for Donald Trump don’t want to see movies and stories about that kind of topic, and it has really hurt the Star Wars brand.

But I am encouraged, this year at D23 Disney is showing that they can take their money and do great things with it. I am rooting for them to get it right, I want their Star Wars Land of Galaxy’s Edge to be successful, I want to see Star Wars make a strong comeback for that next generation because it is still one of the best things out there to take our culture from where it was to where it needs to go in science and thought. There is room for big ideas in Star Wars, which is what I use it for as a mythology. It’s a big story with lots of bold concepts, but at its heart it was and continues to be a space western. So long as that formula is stuck to, Star Wars will be successful. If progressive concepts are placed above that formula, then its over for Disney and they seem to understand that now, after a decade of hard lessons.

I was enjoying all the news coming out of D23 and I sort of celebrated by picking up the Lenovo Star Wars Jedi Challenges video game which converts your smart phone into an augmented reality simulator and I have to say it is extremely impressive. But you can see clearly the hit Star Wars has taken to their brand. The unit just a year ago was being sold at Target for $200 and I picked it up this week for less than $50. I figured that for that much money I could take a risk and buy the Disney product and I’m glad I did. But considering what they had done to the legacy fans with the books and previous comics and other merchandise then gave those same fans a mess of a movie in The Force Awakens, which essentially killed all the old white guys and put progressive diversity in charge only to lose over and over again to a very inept First Order, not even I would pay that much money for a new Star Wars game. That’s unfortunate, because the game itself is just amazing, a real technical marvel and exhibition of mythology pushed to its absolute limits. Big ideas, big fun, and a major advancement of the story telling experience.

The lesson here is that progressive, or even liberal ideas cannot fill up that bowl of thought, and people won’t just accept those concepts because they like Star Wars. They like Star Wars because it represents values that most people share, small government, independence, and you gotta have guns. The anti-gun policies and hippie like love your neighbor stuff doesn’t go well with a franchise that is all about war and why wars happen. When you can’t even where a gun on your hip in cosplay to the new Star Wars land in Florida because everyone is crazy over weapons and terrorism, Disney has to understand that you can’t tell a story about peace, love, and trusting the government without weapons, and expect people to spend millions of dollars of their hard earned money on it, just so they can eat colored popcorn and drink blue milk. Star Wars is about fighting for independence, especially personal independence. In all Star Wars stories that are good are examples of institutional failure, even among the Jedi Council, and that is the heart of the entire franchise. Unfortunately, Disney was a part of that institutional thinking and it took them a long time to come close to figuring out the problem. I just hope its not too late. It would be a shame if it is.

Rich Hoffman

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