The Eco-Terrorist Bill Gates Says Covid Will Be With Us Until 2022: States that ignored Gates did well, states that listened didn’t

Not all states are equal. Some governors really screwed up, some did really well with Covid

It has been interesting to see things around the country economically coming back on.  About the same time that Bill Gates reported that life wouldn’t be going back to normal until 2022 and that we needed to hit some targets of vaccinated people, the new movie Godzilla vs Kong came out which we went to see, and it reminded me of why I think of all the Covid advocates as eco-terrorists.  It was in fact the last Godzilla film that was complete with eco-terrorists, who wanted to unleash all the ancient monsters who were frozen away in hibernation for perhaps millions of years, to destroy all the humans on earth to save it.  Well, that is all fantasy of course, but the concept of eco-terrorism is very real, and there have been a lot of Bill Gates types who are clearly acting as eco-terrorists, and they have the money to fund it against the world.  In this case it was Covid-19 that they unleashed, not a bunch of ancient monsters, but the effect has been much the same, complete domination of our global economy in order to save the earth from the impact of human invention.  How absurd it was to listen to Gates speak, as if he were a doctor and not just a wealthy climate change advocate who wants to drag the world into a zero-emission society.  Thankfully, people are sick of it and are pushing for a normal life in spite of what Gates and his posse of blue state governors are screaming about.  And there is panic among those governors as their plot is being exposed.  People are going back to normal whether they like it or not.

I saw the Gates interview while going to watch that latest Godzilla movie in the theaters at the nice theater at Liberty Center, Ohio where people were playing at the park in front of it and were spilling over into the surrounding streets just to get out of the house.  It was a long way from normal, and people all seemed to have a bit of shell shock to their behavior, but it was a big step from the ridiculous lockdowns that we had just experienced as a culture.  But this wasn’t just a local behavior.  As I said in the video above, I just spent much of a month traveling all over the United States and everywhere I went I saw this pushback against the mask mandates and social distancing that the CDC had come up with as Bill Gates loomed in the background.  Yes, it has from the beginning been an act of terrorism disguised as a health concern.  For most of the political players it was a way to change election laws and put their guy Biden in place with voter tampering through mail-in ballots. But for Gates and his eco-terrorists, it was a chance to save the earth from their distorted opinion from the pesky humans that have infected its surface.  Gates may not be able to kill them all off, but perhaps he might be able to sterilize them through vaccinations so they can’t reproduce and keep them locked in their homes in as close to a zero-emission existence as he can hope for at this particular time.  That isn’t science fiction, but facts based on his actual behavior.  If this vaccine isn’t the sterilizing one, the next one may be.  This in the eyes of Gates is just the test bed to see if he can get away with it if people are dumb enough to blindly follow medical professionals to their own doom.

Sterilization of the undesirables was in fact the first thing the communists did in China when they took power in 1949.  And of course, we all know of their one child policy.  Don’t kid yourself that Gates and his eco-terrorists aren’t thinking the same way using vaccinees to sterilize people so to depopulate the earth of people in order to save it.  They had success with dumb people following them to their own dooms, in destroying their own economies, so the eco-terrorists are incentivized to do it again.  Our behavior did not deter them but encouraged them to try again, this time with even more destructive force.  Ultimately it will be up to us to push back against it.  Now from my perspective, I have seen up close and over vast distances, people are done.  Some governors as I said in my video have done a good job handling Covid and some have been terrible.  I am still looking for the answer and I have asked some very powerful people who should know, why the governor of my state, Mike DeWine was asking for far reaching dictatorial power a whole year before the launch of the Covid terrorism.  DeWine was already thinking about these things early in 2019 before anybody could even conceive of what a Covid lockdown might look like, or if it was even possible in a free society.  The buzz was out there of what was coming.  We know DeWine’s lover Amy Acton was in the know with the Gates group so they were obviously working out the details of the eco-terrorist act well in advance of the coup attempt later in 2020 and that should disturb everyone.  Amy Acton in case you have forgotten has been Ohio’s Health Director.  Once the heat was turned up on her relationship with the Governor, she removed herself from the public eye, but she has still been looming in the background whispering in his ear the utterances of the eco-terrorist goals—to shut down society to save the planet earth from humans.  As ridiculous as it sounds, and as much of a plot from some disaster movie it may be, it is the truth of the effort.

Notice how this article does not lend any credibility to the science of Covid.  That’s because its all complete bullshit.  Completely, and now looking back as people can now see, some states that never fell for the nonsense, like South Dakota, with Florida following did really well with Covid as other states such as Michigan, New Mexico, New York and other blue state regions have crushed their people and their economies in tyrannical ways.  The eco-terrorists did catch people off guard by crying wolf on what they called a deadly virus when in fact it was just taking a cold and making it seem statistically worse than it really was.  It reminds me of the old Harrison Ford movie, Mosquito Coast where the father moves his family to a Central American town to get away from the world and all its evil capitalism by telling them that the world has been destroyed by nuclear war, only for them to find out later that he was lying to them to imprison them to him. The government led by eco-terrorists like Bill Gates have done the same thing to all of us with Covid-19 and now they are just dragging the story out as long as possible to do the maximum damage they can before people fully rebel against them and stop listening forever.  From what I see people have learned their lesson and a majority of our population will never fall for such a scheme again.  But its important to know that if they tried before they’ll try again.  Only the next time, it will be something else. 

Cliffhanger the Overmanwarrior

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Godzilla: King of the Monsters was a Fun Movie, but had terrible, communist politics from the Wanda Group

We are supposed to function under the assumption that politics and entertainment are separate, and that we shouldn’t talk about politics. Yet, with the last two Legendary Entertainment monster film releases, first Kong: Skull Island and now this 2019 release of Godzilla: King of the Monsters the films are about nothing less than communist propaganda which is to be expected after Legendary was bought up by the Chinese Wanda Group in 2016. In the case of this second Godzilla film, Warner Bros. distributed the film, but the contents were clearly guided by the Wanda Group and that is the way things are now in Hollywood. When it is wondered why the American domestic box office was less excited about this monster movie entry than the 2014 predecessor it is due to the massive amount of subtle collectivist propaganda contained within it. I actually lost count of how many times western culture was body slammed in the new Godzilla film and Eastern cultures propped up. So, it should be expected that the domestic total would be less than the original. I thought the Eastern collectivist rants in Kong were bad, this new Godzilla was much worse.

That’s not to say that Godzilla: King of the Monsters is a bad movie. I enjoyed it immensely. As a conservative who loves movies, I am used to not having representation in Hollywood. I enjoyed the movie for what it was, and there were some great ideas. But the politics of the movie couldn’t be ignored. It was very much the star of the show. The theme of the movie was that Eastern understandings of dragons and monsters are that society is to take their rightful place in a kind of harmony with them. Meanwhile the West always intends to slay them. The message was quite clear, East good, West bad. We are supposed to learn to live in subservience to nature not to master it. And Godzilla was a force of nature that was to be worshipped like a God.

Then again, the villains of the movie were all environmental wackos who wanted to unleash all the monsters of the world to kill off humanity and to restore nature back into balance. The film also made an argument against that type of extremism which was interesting. It reminded me of the current Chinese difficulty of accepting Hong Kong capitalism but still holding on to the premise of communism. This Godzilla film was very much a product of Chinese politics, which is to say, a mess of ideas made under the thumbprint of a very authoritarian government. The ignorance of a blissful coexistence with authoritarian regimes and nature continues to be a problem with China and their movies reflect that problem.

Back in 2014 the Godzilla film then earned around $90 million domestically during its opening weekend. This movie made only $49 million. That is a consistent decline since Kong: Skull Island headed on that downward spiral after the Wanda Group bought up Legendary. Kong was also permeated with this promotion that the hostile indigenous people of Kong’s island were no longer deranged lunatics as they had been portrayed in the past, but now they were more advanced than the science of the Western world who were portrayed as greedy and doomed to failure. Monsters like Kong and Godzilla of course are part of an older than civilization intelligence and they watch over us as if we were all pets being guarded the way we would a hamster in a cage.

With those thoughts aside, some of the best moments for me in the new Godzilla film is the confirmation that more and more, we are accepting that ancient Egypt and the Mesopotamian Valley are not the oldest cultures on earth. Our story tellers are now routinely examining much older possible origins for the human race and that is a good thing, so its not all bad in these movies, so long as you don’t care about any of the people, because they are all pretty stupid. And that held true for the original monster movies from Japan. We didn’t watch those movies for the people, but only for the monsters, and that makes these movies fun. But the politics was very distracting, and I would say that it really hurts the domestic box office in North America.

I’ll have to say that the special effects in these monster movies are so much better than the originals and they are a lot of fun if you don’t take them too seriously. But it was hard for me to turn my brain off and enjoy the monsters because the politics of Godzilla and the communist ways of China were so over-the-top. The story of symbiotic relationships after a half hour was really getting on my nerves and that is exactly the kind of thing that is hurting these films at the box office. Honestly, I want to see the next Godzilla movie about the epic fight with King Kong do well, but the films are performing well under what market predictions would have expected, largely because the films aren’t fun enough due to all the political utterances. This is what happens when we let foreign companies take over American media outlets and start bringing their dumb ideas into our culture. The movies would do great if the monsters just destroyed communist civilization and the world would be much more interested because communism to the minds of all human beings represents tyranny, and a lack of freedom of thought. Not to live in symbiosis with them, which was, and continues to be the subtle message of all these films. The “state” (Godzilla is more powerful than you. Learn to live with that power, not against it).

That is also why the mixed messages of Godzilla seeking to recover from injuries in this most recent movie at an ancient temple at the bottom of the ocean was so compelling, because even as the messages of the movie are submission to nature, Godzilla sought healing and refuge at the temple of an ancient culture that has long since died away, following the Vico Cycle that I’m always talking about. It is actually in human creation that anything happens, even for these monsters, and that is the message that the Wanda Group is continuing to miss, because they aren’t just telling a story, they are trying to propagandize their form of government and using all these cool monsters to do it.

But American audiences can smell a rat, and they weren’t in a hurry to go see a movie about communist propaganda. People like me go see the films to see great monsters battle it out and create mass carnage. But nobody wants to sit through over two hours of a communist lecture about how the world would be so much better if the West would only fall and be eaten by a bunch of 300-foot-tall creatures from the ancient past. Even though such a thing is a fantasy for the East their childish understanding about the ways of the world can’t even be buried behind the visual spectacle of the giant monsters themselves. And ultimately that is the reason Godzilla: King of the Monsters didn’t perform well at the box office. It may do well in China, but American markets see through the veil, and it certainly hurt a film that was otherwise a lot of fun and worth the money.

Rich Hoffman

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The ENORMOUS box office of Godzilla: A skeleton key to human civilization

You could smell it in the air on Friday.  My wife and I went to an early showing of Godzilla after having a nice lunch at Chick-fil-A and already the Showcase Cinema in Springdale, Ohio was cranked up in anticipation of what turned out to be a fabulous movie.  READ MY REVIEW HERE.   It was simply a jaw-dropping experience and the buzz was already percolating into what would become a $32 million dollar evening after a $9 million dollar Thursday night of special showings.  The theater was buzzing with excitement the likes of which I had not seen in years and the film hadn’t even thought of hitting Saturday yet.  Projections had the film only doing $65 million dollars over the weekend, but by Saturday morning, it was obvious that Godzilla would crush the opening of Spiderman 2, from two weeks earlier of $91 million.  My wife and I bought our Imax ticket and quickly discovered on a gigantic poster that we would be treated to a free popcorn just for buying the Imax ticket, so we picked up some wonderfully buttered popcorn and stepped into history as the best monster movie ever to be filmed played before our eyes.  During the climax my wife was so excited she almost leapt at the screen laughing, pointing, and was ready to punch something.

At the conclusion a few of the employees who came in to clean up asked me how the movie was, and stated that they couldn’t wait to get off work so they could see it.  My wife and I were the last to leave the theater and I told them that they needed to clock out right now, and get up in those seats and watch this movie right now.  It was that incredible, history making awe inspiring—and the ramifications of it would manifest long after what would turn out to be a monumental opening weekend.  I knew as the credits stopped rolling that this movie was going to explode with global business that would topple $1 billion dollars and launch new life into a film genre that will ignite the imaginations of millions of young people and I enjoyed the reverence.  Unlike The Amazing Spiderman 2 which saw a major drop in business during its second week of release, Godzilla would likely see even more business over the upcoming Memorial Day weekend as word of mouth will spread like wildfire about how good the movie is.

So what does this mean?  Why is the box office of Godzilla so important?  Well, I have been writing a lot lately about the importance of mythology in our culture.  It shapes everything from philosophy to politics and is likely the most important attribute to any human society.  There are a lot of elements in our present world that makes human beings feel powerless, and subjected to abuses, so when their imaginations are stimulated with thought, there is a sense of freedom in the exchange.  When a movie is as exciting as Godzilla is, and inspires so many people to go to a theater to experience it, a unifying philosophy is being painted across the canvas of human society and it is a wonderful thing to witness.  When a movie does that kind of business, other studios are forced to copy, and that means that films that are losers, like Cloud Atlas, Life of Pi, and other progressive films must adapt and compete against traditional films that a majority of the world population yearns for.

There is no group hugging going on in Godzilla.  The hero is Godzilla who stands as a solitary savior of mankind and the main protagonist who is on his own adventure is also the last man standing to save mankind from disaster.  The rest of the characters can only watch everything happening with passive helplessness.  It is in this attribute that once again traditional films destroy the box office business of collective message stories attempting to sell progressive storylines.  When a traditional old-fashioned film like Godzilla does such good business the public is voting, and the votes favor tradition because other studios—due to capitalism are forced to compete or go out of business.

Japan’s Tolo studios have had the rights to Godzilla for years, and they have nurtured it along.  But they knew that if they wanted to take Godzilla into the realm of international—mainstream sensation, they needed Legendary Pictures to pull off the task.  Legendary Pictures put up 75% of the nearly $200 million dollar budget and hired relative newcomer Gareth Edwards to direct the film.  There weren’t any film studios in France able to perform such a task, not in England, not in Germany, certainly not in China and Japan was obviously limited in their abilities.  It took an American production company to achieve the objective of spreading the Godzilla message and did they ever pull it off.  The risk of Gareth Edwards not only paid off, but the film will evolve into a sensation that will not be forgotten any time soon.  It is a benchmark film that will take the world by storm.

This is yet another example of many themes discussed here at Overmanwarrior’s Wisdom day in and day out over a number of years now and it was quite refreshing to see the early wave of Godzilla before everything became much noisier.  I was not surprised to see such a ruckus, human beings are starving from substance, and Godzilla delivers it.  If Godzilla were simply about destruction, it wouldn’t do such good box office numbers, and the buildup of the character over the last 60 years has not prepared people for this kind of market desire.  The old films were fun films, but not good ones.  It is for the unspoken themes for which Godzilla is so popular, the one against the many, the mysteries of our own past unrealized, the protection of man’s creations over the creations of nature, the futility of those same creations against the scale of nature at times, and individual will.  It’s also about hopes, dreams, and the importance of family.   The scene where the main protagonist helps a little boy find his parents is just another reiteration of that main family theme found throughout the film.

History has been made and it was a fun weekend watching the events come together as the box office numbers of Godzilla came in.  It felt like victory for all those who support classic elements in movies which builds the mythology not just of our nation, but now of the world.  These days, it’s no longer cars that America exports that are so prized throughout the world, or the aviation industry, or even food—it is mythology which can only come from the imaginations of free people.  Only in America could a movie like Godzilla be made, and that was obvious as I left the theater ahead of a box office wave which consumed the world and brought a smile to my face for more reasons than that the movie was a great one.  Mythology has the answers to many of our contemporary problems and hidden within the Godzilla film is the skeleton key to healing human civilization.   And the key has now been turned.

By the way, Lengendary Pictures is now working with Universal Studios and their next big monster movie after Godzilla is Jurassic World.  And they love the script so much, they are already talking sequels.  I am very happy!  And really looking forward to it!

Rich Hoffman


Godzilla For President: A review of the new Gareth Edwards masterpiece

What would you get if Alfred Hitchcock, Steven Spielberg, and Akira Kurosawa all made a movie—it would be Gareth Edwards new Godzilla film.  That is not to say for a second that Edwards is a copy-cat filmmaker paying homage to his boyhood heroes.  The 2014 Godzilla film released by Legendary Pictures is simply that good, and is sincere in its tip of the hat to those great filmmakers.  While watching I kept thinking of films like Close Encounters of the Third Kind, Jaws, Jurassic Park, Birds, Ran, Dreams without attempting for a second to show its superiority to the classic Godzilla movies—but rather being very respectful of them.  If there is a tight rope of movie marketing, authenticity to a beloved character, and the necessity to navigate the needs of the movie industry, Gareth Edwards just propelled himself into one of the top filmmakers in the world forever by walking it cleanly.  The new Godzilla film is simply astonishing.  I have read the reviews and spoken to several people who had seen the movie and I have come to realize that the movie is so vast in its scale that most viewers can only grip one of the many plot lines of the film.  Being spoiled spoon fed movie goers for so many years; they have forgotten the old Hitchcock films and likely didn’t bother with Kurosawa due to the subtitles.  Well, Edwards didn’t have that problem and has simply made a masterpiece that will have a major impact on film history.   I know good when I see it and this Godzilla film is great, incredible, astonishingly beautiful, captivating in virtually every way, and is simply a benchmark film redefining the genre of monster movies.  This Godzilla movie is what Cloverfield wanted to be.  It is simply jaw-dropping grand.  It will take several viewings for everything to settle in and history will study this movie as a masterpiece of modern film.

While waiting in line to see the movie I wrote yesterday’s article about Godzilla.  CLICK HERE TO REVIEW.  So I am already a fan of the 60-year-old monster.  I had to take a few hours after watching the movie to calm down and check my emotions to ensure that I wasn’t just being inflammatory with my enthusiasm.  After rolling around in bed for about 10 hours unable to sleep still excited about this Godzilla film I have concluded that perhaps I haven’t been excited enough.  Four key scenes will explain why without giving away the movie.  The first is the birthday metaphor so carefully weaved into the Bryan Cranston portion of the story.  It was remarkably powerful, and so subtle that most viewers appear to have missed it upon their first viewing.  It was a touch of Steven Spielberg that I haven’t seen from a filmmaker since the film Always.  Then there was the flaming train engine coming out of an intense fog at night across a railroad bridge.  The film quality looked as though it belonged on the pages of National Geographic.  The cinematic effort of that shot was simply mind-blowing.  Then there was the airport scene where the power had gone out across an Hawaiian city then came back on to reveal a giant monster destroying everything—with the main characters rushing toward the devastation.  There has been nothing like that done in movie since Jurassic Park, The Lost World, and Indiana Jones and the Temple of Doom.  It was over-the-top exciting, but never so much that it came out campy.  Godzilla pays tribute to these beloved old films without insulting them with direct mimicry.   Then there is the airdrop into the city of San Francisco during the monster fight.  The only filmmaker who ever attempted portions of these kinds of visuals is Akira Kurosawa.  The colors, the atmospheric conditions, the ceremonial aspect of the scene, the immensity of the whole enterprise culminated in that portion of the movie and was simply magnificent.  Edwards was well aware of his geography during the entire film.  The film went from extreme long shots of a storm over the city with the tiny troops falling toward their apparent doom with swirling cumulus nimbus clouds reaching into the upper atmosphere.  Then there are the hand-held shots as they fall through the cloud layer and into the destruction of the city while Godzilla is fighting with the monsters.  All these were cut together with the same level of continuity and it was seamless.  The long view of existence right along with the human perspective was astonishing.  I can’t say it has ever been done more effectively than what Edwards did in this movie.  There was a scene from Close Encounters years ago where the shadow of the mother ship was cast against the ground at night over the unaware human drivers of a truck.  That shot was incredibly difficult to pull off and came from the mind of a very young Steven Spielberg before he got old and stuffy.  I can’t recall another filmmaker trying such a thing since then—until this Godzilla movie.  It is hard to do such atmospheric scenes and Spielberg has given up on trying now that he is in his “mature” years.  But the ambition of Edwards deserves recognition as film schools will study this scene for years attempting to break down its effectiveness.

Speaking of geography it was impressive to tie in events happening halfway around the globe in simultaneous bits of story.  For instance, Las Vegas gets attacked by a monster as Godzilla is hunting the beast from the Pacific Ocean just off the coast of Hawaii.  The extra attention to little details like proximity of terrain to each other in a world shrunk by Google Earth was so refreshing that even smart people seeing the movie will be impressed that Edwards thought of them while staging scenes.  The characters in this Godzilla film were intelligent, and cared about the circumstances around them.  That was refreshing.

Then there was the soundtrack which was equally remarkable.  I had never knowingly heard any of Alexandre Desplat’s work until this film, but it was quite powerful.  Desplat certainly tapped into great film scores by John Williams, particularly Jaws because it was evident in the film score.  The resemblance to that classic piece was unmistakable.  I have listened to the soundtracks of Jurassic Park and The Lost World countless times, and the notes and cues from Godzilla are right in line with those pieces.  It was yet another circumstance of welcomed surprise in a film full of them.  There was a raw majestic energy included with the music that was as big as Godzilla and the story line itself.

The character of Godzilla unlike the past had a deep intelligence to him, a knowing alertness to the circumstances of civilization and his desire to advance it.  That is a new element to these kinds of monster films, Godzilla was quite well aware of his ancient role as a kind of protector of man’s achievements.  He wasn’t interested in the mindless toppling of buildings and power lines, but of hunting down and destroying the monsters which were destroying the cities of earth.  There has been a lot of talk about Godzilla being a boon to nature—reminding mankind that it is not in charge.  Yet if Godzilla were so interested in nature, he would have allowed the giant creatures—MUTOs (Massive Unidentified terrestrial Organisms) to breed and hatch their babies which are all they really wanted to do.  From the vantage point of Godzilla mankind’s creations are pretty insignificant, yet he consciously made a decision to pick mankind over the MUTO creatures.  Several times in Godzilla’s efforts were close-ups on his weary face as if he had been fighting this battle for several millennia.  Edwards smartly captured this intelligence and made this Godzilla much less primal, and much more sophisticated.  As strange as it sounds the creature seemed so smart that I wouldn’t have been shocked if he didn’t sit down with some tea and discuss James Joyce as a literary endeavor.  He was what I described in my referred article written prior to seeing the film as a kind of overman.

Godzilla is movie making at its absolute best.  There isn’t anything better out now and hasn’t been in many years.  Even the epic nature of Peter Jackson’s Hobbit films can’t hold a candle to Godzilla.  This monster film is a benchmark for these types of things that will set the bar very high.  Many reviewers continue to compare Godzilla 2014 to Pacific Rim, but the two aren’t even close.   The only thing they have in common is that both films deal with large creatures.  Godzilla is about so much more.  It’s a movie that needs to be seen many times to understand, and even more times for just the sheer entertainment value of it.  The cost of seeing the movie is worth the climax of the film itself.  They simply don’t get better than that and will still be fun after the 100th viewing.  Godzilla 2014 will become the next favorite film of many little boys desperately seeking something meaningful in their young lives.  But for the adults who grew up with the old versions, this Edwards film is a sheer work of art that will be difficult for any filmmaker to surpass for many, many years.  It is a treasure onto itself and a gift to every creature with eyes, ears and an imagination.  I give Godzilla an enthusiastic thumb up with both hands and both big toes and a smile from ear to ear.  It is movie making at its absolute best and then some and will never be forgotten in my household likely being played continuously forever once it hits Blue Ray.  In the meantime, I will go see it again.

Rich Hoffman


Godzilla the Destroyer: Why Japanese culture wins at business and politics

Large companies strapped with labor union rules have turned to Japan hoping to learn something through Six Sigma or some other borrowed manufacturing method to improve their delivery times and product quality.  But they seldom ever work with spectacular results leaving companies to “cook the books” so to justify their commitment to such programs because the workers are still operating with the same type of mentality that they did before any written procedure.  The Japanese people think differently than other people in the world.  The root of their differences is their firm commitment to Shinto Buddhism passed down to their culture through their Samurai history.  To understand a bit of Shinto Buddhism one must understand the nature of what Shinto is.  The most modern example of Shinto to Japanese culture is the films of Godzilla—which is about to get a major upgrade from Warner Brothers in 2014.  See the preview below which has me very, very excited.  I love Godzilla—King of the Monsters! 

Godzilla’s allegiance and motivations have changed from film to film to suit the needs of the story. Although Godzilla does not like humans,[38] it will fight alongside humanity against common threats. However, it makes no special effort to protect human life or property much the way Japanese people see the world [39] and will turn against its human allies on a whim. It is not motivated to attack by predatory instinct: it doesn’t eat people,[25] and instead sustains itself on radiation[40] and an omnivorous diet.[36][41] When inquired if Godzilla was “good or bad”, producer Shogo Tomiyama likened it to a Shinto “God of Destruction” which lacks moral agency and cannot be held to human standards of good and evil. “He totally destroys everything and then there is a rebirth. Something new and fresh can begin.”[25]  Godzilla represents Japanese culture and their ability to deal with major tragedy and give rebirth to their country over and over again.  It is in this resiliency that the Japanese people find they are one of the most productive countries in the world—and able to embrace capitalism with a warm support that has caused their economy to swell.  Per capita, they are among the most productive people in existence.  Below are just a few attributes and interesting facts about Japanese culture.

Japanese children clean their schools every day for a quarter of an hour with teachers. This led to the emergence of a Japanese generation who is modest and keen on cleanliness.

* Any  Japanese citizen who has a dog must carry special bags to pick up dog droppings. Hygiene and their eagerness to address cleanliness is part of Japanese ethics.

* A hygiene worker in Japan is called “health engineer” and can command salary of USD 5000 to 8000 per month, and a  cleaner is subjected to written and oral tests!!

* Japan does not have any natural resources, and they are exposed to hundreds of earthquakes a year, but this has not prevented its becoming the second largest economy in the  world.

* In just ten years Hiroshima returned to what it was economically vibrant before the fall of the atomic bomb.

* Japan prevents the use of mobile phones in trains, restaurants and indoors.

* For first to sixth primary year Japanese students must learn ethics in dealing with people.

* Even though one of the richest people in the world, the Japanese do not have servants.The parents are responsible for the house and children.

* There is no examination from the first to the third primary level because the goal of education is to instill concepts and character building.

* If  you go to a buffet restaurant in Japan you will notice people only eat as much as they need without any waste because food must not be wasted.

* The rate of delayed trains in Japan is about 7 seconds per year!!
The Japanese appreciate the value of time and are very punctual to minutes and seconds.

* Children in schools brush their teeth (sterile) and clean their teeth after a meal at school, teaching them to maintain their health from an early age.

* Japanese students take half an hour to finish their meals to ensure proper digestion because these students are the future of Japan.

The Japanese focus on maintaining their own culture.
Therefore. . . .

* No political leader or a prime minister from an Islamic nation has ever visited Japan – not the Ayatollah of Iran, the King of Saudi Arabia or even a Saudi Prince!!

* Japan is a country keeping Islam at bay by putting strict restrictions on Islam and ALL Muslims.

      1) Japan is the only nation that does NOT give citizenship to Muslims.
      2) In Japan permanent residency is NOT given  to Muslims.
      3) There is a strong BAN on the propagation of Islam in Japan .
      4) In the University of Japan , Arabic or any Islamic language is NOT taught.
      5) One CANNOT import a ‘Koran’ published in the Arabic language.
      6) According to data published by the Japanese  government, it has given temporary residency to only 2  lakhs,(Muslims), who             must follow the Japanese Law of the Land. These  Muslims should speak Japanese and carry their religious rituals in their                 homes.
      7) Japan is the only country in the world that has a negligible number of embassies in Islamic countries.
      8) Muslims residing in Japan are the employees of foreign companies.
      9) Even today, visas are not granted to Muslim doctors, engineers or managers sent by foreign companies.
    10) In the majority of companies it is stated in their regulations that NO Muslims should apply for a job.
    11) The Japanese government is of the opinion that Muslims are fundamentalist, and even in the era of globalization they  are                  not willing to change their Muslim laws.
    12) Muslims CANNOT even rent a house in Japan.
    13) If anyone comes to know that his neighbor is a Muslim then the whole neighborhood stays alert.
    14) No one can start an Islamic cell or Arabic ‘Madrasa’ in Japan 
    15) There is NO Sharia law in Japan .
    16) If a Japanese woman marries a Muslim, she is considered an outcast  forever!
    17) According to Mr. Kumiko Yagi, Professor of Arab/Islamic Studies at Tokyo University of Foreign Studies, ” There is a mind               frame in Japan that Islam is a very narrow-minded religion and one should stay away from it, permanently!

Years ago when I was younger I worked at Cincinnati Milacron as a lathe machine rebuilder, and on my tool box where my co-workers had pictures of naked women, cars, and sports figures, mine had a photo of The Millennium Falcon and a list of the 9 Ways of the Samurai taken from Miyamoto Musashi’s epic book called The Book of Five Rings.  They are as follows:

  1. Do not think dishonestly.

  2. The Way is in training.

  3. Become acquainted with every art.

  4. Know the Ways of all professions.

  5. Distinguish between gain and loss in worldly matters.

  6. Develop intuitive judgment and understanding for everything.

  7. Perceive those things which cannot be seen.

  8. Pay attention even to trifles.

  9. Do nothing which is of no use.

I studied and studied and studied those words, and read Miyamoto Musashi’s book over and over again—I still do.  The book means so much to me that I gave a copy of it to both of my son-in-laws so that they could learn how to be a proper man with those basic foundations.  Godzilla is the monster embodiment of all those 9 Ways and is unique to Japanese culture.  They are also the key to why the Japanese are so epically successful while other aspects of world culture struggles.

I don’t agree with everything the Japanese do—for instance they are gross collectivists.  But the 9 Ways of the Samurai are something that should come out of American culture and the cowboy lore of our foundation rather than the Samurai of Japan.  But what I do admire is that they have a value system which they preserve, and those values show up in their economy.  You don’t hear of labor unions ruining the Japanese people—they wouldn’t put up with it—because their Shinto Buddhist belief system would prevent them from adhering to union rules in the fashion so prevalent in the United States or communist countries.  The movie monster Godzilla is the embodiment of their belief system, the destructive nature of terror mixed with the life renewing force of rebirth.  To them, rebirth is an opportunity to correct things and live again, where in the West it is something to be terrified of, and avoided.  Godzilla is their way of dealing with the bombing of Hiroshima, and most recently the tsunami that caused such havoc over much of their country.  In Japan, they embrace fear, death, and sorrow with a boldness which allows them to get right back on their feet again and keep producing—because their value system holds them together.

American businesses have tried to study the Japanese with the hope that they could copy off their paper without adopting their way of thinking.  I watched labor disputes end Cincinnati Milacron while I worked there and read Musashi’s quotes as workers protested the loss of their jobs.  I used to contemplate that the people I worked with were fools not in touch with the Way of life—the Way of a living force for good and bad.  The Japanese tap into this energy and make vibrant economies with a land mass the size of most states in America.  The miracle of their society is within those 9 Samurai Ways.  But their mythology is most impressively—and metaphorically present in the movie monster Godzilla—a creature from the distant past—victimized by mankind’s destructive trends—only to become a destroyer of all that is oppressive—in a process that is life-renewing…instead of considered traditionally destructive.

To read more about Miyamoto Musashi click the link below:

And be ready to see Godzilla in the summer of2014.  I’ll be the first in line!

Rich Hoffman