Defending John Wayne: Western Civilization is wonderful, stand by it, don’t run away

One of my favorite quotes from John Wayne, the great American actor is that “a man deserves a second chance, but keep an eye on him.” I’ve been thinking a lot about John Wayne lately as the Black Lives Matters protestors have been trying to re-ignite the debate about changing the name of John Wayne Airport in California to something else because as they were trying to say, America is a racist country and John Wayne made movies that embodied the American spirit, and that both he and the country itself should be re-imagined with new names of below the line people. It struck me because many likely don’t know, but Joseph Stalin and Chinese communist leader Chairman Mao actually placed a bounty on John Wayne’s head because he was such a symbol of American patriotism. I saw a lot about how the modern political left are committed to actual communism and that they want to destroy America from a capitalist country and turn it into a communist one, but the similarity of the attacks against Wayne is something I have taken personal.

With all the Covid countermeasures these days, it wasn’t by design, but by default, I have been getting a lot of comments that the way I dress reminds me of their memory of The Duke. As I’ve explained I now wear leather vests everywhere I go so that I can properly conceal carry some of my bigger guns given the way rioters have been attacking our public areas. In such a volatile world, they really leave us with no choice, so my dress has changed a bit to accommodate that necessity. Then with the mask mandates I have turned to cowboy rags to wear like a bandit because that’s what the stupid governments of our modern world want to fight coronavirus. So given that I have to go out into public with these things in mind, that’s how I have been dressing and by default looks a lot like the way John Wayne dressed in many of his later movies, which I don’t mind at all. In many ways Western civilization has been attacked by foreign ideas, even from America’s own media so I feel it is my duty to the American spirit to embrace and protect Western ideas from those attacking them. After all, the political left gives us people covered in tattoos and body piercings, they give us people walking around with their pants half down all the time and using terrible language in public and even among the Muslim populations we are told we are supposed to accept people walking around with towels on their heads and that we will like it. So just to cap off my outfit that sticks up for Western civilization since I’m already most of the way there anyway, I have been wearing my leather cowboy hat everywhere as well which gets a lot of looks.

This isn’t the first time. When I was 7-10 years old I didn’t have the patience for John Wayne movies, they were way too slow for me. I appreciate them more now because I see them as obvious love letters to the American spirit, but back then, if someone didn’t die every five minutes in a movie, I wasn’t very interested. But all my life really, especially during that period mentioned, I had a big leather cowboy hat that I wore everywhere. It was so big that it pretty much swallowed my head but I loved it and wore it everywhere to the point that it looked very wore out. My parents thought I was weird but it really came to pass during a pontoon boating trip on Brookeville Lake in Indiana where my very young profile caused my mom to refer to me as the Duke which I have never forgotten. At that time, I didn’t take it as a compliment. I knew who John Wayne was, but I thought his movies were too slow as I have said, so he wasn’t an influence in my life. But my behavior reminded my mom of him so that was what she referred to me as.

I spent a lot of time at my mom’s parents’ house growing up and my grandpa did love westerns and always had them on the television. Of course, back then, they were the Hollywood culture, it was normal. And he and my grandmother had done a little bit of traveling and had keepsakes of Wild West tourism all over their house. They even had a big wall sized mural of a Rocky Mountains photograph set in an appetizing valley that was so realistic that through the corner of your eye you could easily mistake it for being a view of the real world outside. It’s likely the combination of those elements that inspired me to dress the way I did then and still do, although other people who shared that experience with me didn’t have the same reaction. For whatever reason I was always drawn to patriotic enterprises and dressed the way people who were American patriots did and I never felt I should apologize for it. In fact, my attitude was that people who didn’t dress that way should apologize to me. And watching all those westerns all the time, and being at their house so much, I had a policy to not curse, not to smoke, drink and treat everyone like I’d want to be treated. But more to the point, to not to look for a fight, but if a fight found me, to never back down. So that last bit caused me a lot of trouble because it seemed that public school was about nothing but breaking down kids with the fear of fighting whatever bullies were there. I spent most of my grade school years living by that Cowboy code, and it was pretty violent. I never did drugs, even to this very day. I would drink a beer or two. Curse when absolutely necessary, because I learned that sometimes it is necessary, and I have never ever backed down from a fight. I also can’t say that I’ve ever lost a fight. There might have been a few draws here and there, but my approach to fighting and sticking up for myself and others has brought me to a place in life unbroken, which is what my mom was referring to when she called me The Duke on that pontoon boat. At that time I was much more confident as a person than other people, and it reminded her of the movie star John Wayne as her point of reference to such people.

With that, I take the references lately as a compliment. I don’t see enough people sticking up for people like John Wayne or for Western civilization, and they should. The reason that the Left attacks them is because they want submission. I probably would have enjoyed being born at a time well before John Wayne was even born, when the times he reflected were a reality. I would have gotten along better with people than I do now, because I have never accepted the political left’s world view. Not as a young kid and certainly not now as a grandpa of my own. To my point of view, the world has gone mad and I’m not going to accept it. I can’t say that John Wayne influenced me to look the way I do or act in a certain manner. But I understand him and respect him even more now as an older person myself than I did even as a kid reminding my mom of her version of an alpha male. From what I see, the world needs more John Wayne types and given the way they have shoved their vision down our throats and asked for a fight, I think its time we give it to them, and defend America and the patriotism that comes with it. And if that comes across as over-the-top, then so be it.

Cliffhanger the Overmanwarrior

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The Communist Swing from ‘High Noon’ to Trump: Why what Jerry Nadler is doing is far worse than McCarthyism

I think it goes without saying that I love John Wayne and westerns in general, but I have always disagreed with The Duke on his opinion about the great film High Noon. I have never seen it as an allegory on the blacklisting and the congressional investigations led by Joseph McCarthy, which many think it was. Yes, there were communists in Hollywood and yes it is true that Carl Foreman, the screenwriter of High Noon was one of them. The un-American activities were in full swing in 1952 led by Russia to penetrate Hollywood so essentially, they could get the control they have today during the years of Donald Trump. As I have listened to the American leftists reaction to Trump this past week and watched all the activity about the FBI and current hearings led by Jerry Nadler and the rest of the Democrats trying to impeach President Trump, I think we can look back at this documentary about the making of High Noon with a new eye toward history. Personally, I’m tired of hearing about how bad McCarthyism was on America and what impact blacklisting had on Hollywood. That cry baby stuff is long over. Conservatives are blacklisted much worse than any of the communists in Hollywood were then, so let’s revisit the morality of that time without the tears that the left have been hiding behind for years.

Truth be told, I spent the first twenty years of my adult life working toward a career in entertainment and planned to have a Hollywood film stint, and at several points I made major strides in that direction. But I am a Cincinnati conservative not that much unlike many stars who have made it in Hollywood quite spectacularly, but times have changed. If we were living in the days of High Noon where John Wayne set the standard and had the clout to run communists like Carl Foreman out of the country, as Wayne did before High Noon was even released, then I would likely be working in Hollywood right now. So in many ways I could lay claim to being blacklisted all of my adult life from the things I really enjoy. But unlike those complaining left leaning losers, I was able to do other things in my life and I have been successful in other aspects anyway. So what is there to cry about unless you are a one trick pony like most of Hollywood was and still is. They are probably worse today than they were in the time of High Noon’s release.

However, John Wayne made it very public that he didn’t like High Noon because he considered it un-American, and Lloyd Bridges was in an acting group that had lots of communists in it, which didn’t help. The American left loved High Noon because they thought of it as commentary on the McCarthy hearings, as Gary Cooper’s character Marshal Kane was a target for revenge for an outlaw that he had put in jail years ago, before his anticipated retirement. The train bringing the villain was to arrive at High Noon and the bandit was intent to bring his gang to the Marshal to kill him. The Marshal was planning to retire and marry his bride to be, but he is still the law in Hadleyville so he had an honorable obligation to fulfil his job as the lawman. Even though it may kill him. Knowing that a gang of four other killers are going to accompany the leader Kane tries to get other members of the town to help him, but nobody would.

The Soviet Union did not like High Noon because they felt it glorified the individual. Even though there were communists working on the film and the McCarthyism was in full swing in Washington D.C. it wasn’t enough for them and they made sure that even though the film won 4 Oscars because the American left wanted the film to do well, it wasn’t enough for the U.S.S.R. So, in that context it should be clear that John Wayne saw the big picture of the matter and just didn’t like High Noon viewing it as an un-American activity. Wayne was so adamant about his dislike for High Noon that he went into production for Rio Bravo as a direct pro-American answer. So, these are not new disputes these discussions about Trump’s swing back to the political right and waving the American flag around in reaction to socialist and communist propaganda. In the days of High Noon, it was denied that communism was even happening, but after the recent debates with the Democrats has shown, socialism and communism are very much the platforms of their party and their intention. So, the cat is out of the bag. Nobody is hiding it anymore. They were always trying to infect American culture with collectivist Marxism in some version or another. If it wasn’t John Wayne standing up to it, it is now Donald Trump. But the effort has always been there, and the debate is not new.

What has everyone in a panic now as opposed to the times of High Noon is that the political left felt that the pendulum was swinging in their direction in 1952, and it was. Leftist politics and open socialism were being debated, even if masked with different names and that swing has gone on for well over 50 years. But people are sick of it, and for anybody who saw Trump’s rally in Cincinnati in 2019 could attest to, people are now rejecting the political left. Trump is just the vehicle; the movement is taking a life of its own. For the same reasons that westerns were popular in 1952, conservative ideas are reemerging from the aftermath of failed socialist policies regardless of what political theater would like to believe.

The blacklisting that is going on currently with Facebook, Google, YouTube and many others is far worse for conservatives than it was ever in Hollywood as a direct reaction to McCarthyism. And its not John Wayne anymore trying to keep the pendulum from swinging to the left with more and more pro-American westerns. This time it is the left trying to fight the trend, the media that the communists did get control of. They couldn’t get the anti-American ideas to stick and patriotism is back in style and in spite all their screams of warning, are losing. Regardless of the political tendencies of the movie High Noon, I think it’s a great movie about society failing the individual yet the individual doing what needs to be done against all odds to do the right thing. It is certainly an American film especially in relation to the films of today which are far, far, far more left leaning than High Noon. But it is interesting given today’s political climate to look back at that time when the left was winning and building their case and crying about blacklisting. They have gone far further than anything John Wayne did or any other pro-American advocate during the periods of the Hollywood westerns. I could feel bitter about it, but as I said, I moved on to other industrious efforts. The left can’t and they are choking on their own crap and you know what, I think its funny. I am enjoying the show, because they deserve everything they are getting now. They started it. And its good to see them suffering now.

Rich Hoffman

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My History with Bullwhips, and the Minefield of Public Perception

After my video titled, a Whip Trick to Save America a lot of questions were asked about why I work with whips, and how such an interest has sustained me for over 30 years. It occurred to me that because I’m close to the art form, which I’d associate as an American Martial Art, whip arts require a precision that is unique, and worth a deep look.

When most people think of a bullwhip, they often think of pain, or sadomasochism.  My use of the whip is far removed from such ends. But being a member of the whip community, and approached many times by members of the S&M culture, I have had a unique perspective on elements of social behavior that have led to political corruption.
Here my friend Gery Deer and I demonstrate bullwhip work while doing some promo work for our short film, The Overman.


This is the preview of The Overman, which won best experimental short film for its extensive green screen use in an independent production.

In every organization throughout history, with very few exceptions, a social hierarchy forms of which the most vicious power grabbers migrate to the top, and the more passive will settle at the bottom. Most of American society finds them on the bottom end of the power base by default, due to the fact that many people don’t wish to fight for power.

In 1997 I visited Washington DC with my family and took the White House tour like many who visit DC. While in line for the tour, my kids were caught climbing on the fence by the White House security. When security approached the children they were told to stay off the “Presidents fence.” This provoked an argument from my wife to the guards stating that she understood their concern to keep the children off the fence for safety reasons, but the guards were wrong on the other hand by proclaiming that the fence at the White House was owned by the President. It was the people’s fence.
Here is my wife in a calmer moment. Just don’t tell her that her kids can’t play on the White House fence.

Now, to me, this misstatement was completely wrong, and showed much insight to the problems suffering within the Republic of the United States. Due to a variety of deep seated psychological problems, the voter base which elects its representatives in government are unable to overcome those weaknesses to properly vote in a republic. In fact, it is evident that more energy from politicians is put into public relation campaigns to alter public opinion, than in gaining a true understanding of what the public wants. This is a fundamental problem, and is echoed in the White House guard’s mistake in believing the White House is a royal family of some such. Royalty has no place in the philosophy that founded America.

As a nation, we are discovering quickly, that many influences have been established to erode the quality of our nation and its people. Our university system has been populated by sympathizers of enemy nations and encouraged to weaken the individual spirit of the students by focusing on careers that would easily serve the emerging social order, and break down the family structure that generally is needed to produce strong social individuals. I dropped out of college three times before reaching the conclusion that success in the higher institution was not conducive to just hard work and intelligence, but to factors more accurately described by my wife, “There only needs to be one class in college taught to the students, and that’s butt-kissing 101.” Sometimes a square peg just doesn’t fit in a round hole. You can beat it with a hammer to try and deform it in some way, but ultimately, if one is to remain true to themselves, they have to find the answers alone. College offered a secure job placement. But I was always looking for answers which they didn’t seem interested in giving. So after a decade of back and forth attempts, I parted ways.

I spent the next 5 years reading this guy.

I drew comparisons to my education experience, and the people I met in the whip community, and referenced those against the social behavior of modern America. It was shocking to me that so many people seemed attracted to the idea of sadomasochism as their first reaction to the whip, which Freud did much work at the turn of the century, ironically as the progressive era thinkers were emerging with their strategy. Given that a majority of psychiatrists are calling S&M a mental disorder, how is it that so many people were willing to accept such a personal flaw without striving to correct it or overcome it?

Here is a great thinker, Carl Jung

S&M by its nature will produce citizens that will seek abuse, so it is no wonder that as factions of the government have risen to power, their respect for the people who elected them has diminished. What is understood at a subconscious level is that many people secretly crave abuse and domination by a superior power, and this is why the world and our nation find themselves in the precarious situation they are currently in.

Those craving power understand this. It is not by accident that weaknesses of character are encouraged at a social level, because such weaknesses create shame which the victim seeks to suppress, and gives power to all people who know the secret. Government has expanded at a rapid rate creating new divisions of government oversight to facilitate all the traumatic effects of human disappointment.

My use of the bullwhip is one of individual mastery. The whip is symbolic in many ways of how a small amount of force applied, can become an explosive result at the end. The sound that is created at the end of the whip is actually a sonic boom, where the whip breaks the sound barrier. So using such a flexible device as an excises tool, or a weapon makes sense. And it is in that type of thinking, that I see an opportunity to heal, not hurt the people that learn to use such a weapon with discipline.
This video is a bit blurry, it’s from one of my older cameras but it does a good job of recording whip work in slow motion.

By overcoming one’s weaknesses, a person can function from a stronger Super Ego rather than just the basic functions of Id, which the government seeks to advocate out of sheer necessity of logistics control.

The progressive movement has sought to advance mankind through a method described in Plato’s Republic, where the wisest of the wise will advance the human spirit. But in order to do that, a class system must be put in place where the wise are determined. And once they are determined, then competing classes must be put into their proper place so that they can be lead properly. This was achieved in our culture by destroying the Super Ego to use Freudian logic.

So the tendency of a majority of the people I have met that looked at the bullwhip and saw S&M practices was more of a symptom of the overall problem of a society that had its Super Ego crushed through cultural propaganda. This leads to a culture obsessed with pornography in various forms, and therefore distracted from higher concepts.
Here I am at another film festival working with students in a stunt workshop.

Mastering a weapon of any kind does two primary things; it gives one a sense of ability to protect oneself and therefore one’s own Super Ego. It also strengthens one’s individual identity by building the Super Ego up. This is the way I view the western arts, and their relative contributions to society. A republic is dependent on strong individual values pitched against its neighbors for the revelation of truth as opposed to a society of masochists inwardly seeking domination by a superior force.

The progressive movement used the knowledge gained from studies such as what Freud reveled as a grab for power. It is no wonder that families have been dismantled; taxes have increased dramatically to support a centralized government with an oversight philosophy as indicated by the welfare system, and social security, and religious influence has been stripped away. It is evident now in hind-sight that a careful strategy has been employed to give us the current state of affairs.

Although this may seem cynical, or conspiratorial, the evidence is plain to see. And with my work with bullwhips, and interaction with the S&M culture that seeks instruction in the bullwhip arts, I drew some of these conclusions from observation.

So using a bullwhip as a political symbol is meaningful in that its very nature is defiance against systems of control because mastering it is mastery of control. It is a flexible weapon that can constantly adapt to a situation, and it can deliver explosive results with the simple flick of the wrist with pin point accuracy. Without doubt, progressive thinking will seek to shape the use of the bullwhip as a weapon of a slave holder, and attempt to discredit it the way I use it, but remember that their goal is to erase our past and to marginalize any memory of it. They also seek to diminish the role John Wayne played in American Society as well. Wayne truly believed in the work he did, and the preservation of the western culture. But such statements are only born out of public relations brain storming, and appeal to the Id nature of people. Anyone that looks beyond the bullet point statements of PR executives can see the manipulation of concepts that threaten the power base of progressive thinking.
Here is John Wayne from the great film, The Cowboys. When I was a kid, this was what becoming a man was about.

Such comments have been leveled toward gun owners for years, as though the need to own a gun somehow is affiliated with a subversive element. It is in the very Bill of Rights of our Constitution and should be the law of the land without question. “A well regulated Militia, being necessary to the security of a Free State, the right of the people to keep and bear arms, shall not be infringed.” There is nothing in the Constitution that says the definition of Militia means only an organized state run entity. It is a government of the people for the people. Yet when such clear language is translated as openly as this Second Amendment has been, it is clear that subversion of the Constitution is the intention of those that attempt to twist the meanings to suit their political agenda. And likewise, any weapon used by a thinking person, such as a bullwhip in this case, will be seen as a threat to the established order, and will attempt to paint that weapon into a negative light in historical context.
Here I am firing one of the finest handguns on the face of this planet, the Smith and Weston .500 Magnum.

So for many reasons, the bullwhip is the weapon of choice for me.  I came to first use bullwhips from my grandfather, who learned to use it from his father when they were runners of White Lightning during the prohibition era. Back then, in the deep foothills of Appalachia, my great grandfather used to crack flies off his porch with pin point accuracy in between moonshine runs as a way to pass the time. With the whip, it was more fun than a fly swatter, and less expensive than ammunition for a gun. So it became something of a family heritage from there on.
Yes, I’m proud of my family heritage and the colorful characters produced from resisting the prohibition law initiated by progressive thinking. And my great grandfather was one of those men.

Undoubtedly there are progressive minded people who will read the above and contemplate the primitive, unsophisticated embrace of such a concept as using a whip to swat flies off a porch as backward and ignorant. Yet, to me, the opposite is true, that people who follow without question, and seek the lazy path of socialism because of the shared burden nature of that philosophy, are not just unsophisticated, and lethargic, they are far less superior to a mountain man in logic and skill. It is in mountain men that echoes of those that settled this country can be heard.

And the frontiersman and western settlers that braved all the perils of a new land, and wished to escape the repressive grip of Europe deserve to be celebrated, and preserved through western arts. It is a shame that the very people they fled from in Europe in the 1700’s turned out to follow them here and settle like a disease with their occidental logic which is the same that created the Roman Empire, the Dark Ages, the Inquisition, the English Empire, and several hundred other regimes of corruption and power over a 1500 year span of time. Now those people think they are in power now in the United States, and seek to erase our American History. So to me, the bullwhip is a symbol of defiance against that progressive philosophy.



And the website here is now http://www.overmanwarrior.com  This was some promotional work done for my book, The Symposium of Justice several years ago.

America is not occidental. It is a melting pot of many cultures and was settled by the bravest and boldest the world had to offer. And that is what makes the Constitution such a unique document. And in the western arts, the Native American has their place along with the cowboy and frontiersman. All played their part in forging an ideology that is unique to the world stage. And the bullwhip is a symbol of frontier values and great efficiency that has its roots in American culture, and the golden age of Hollywood cinema.
One of my favorite Republic Serials, Zorro’s Fighting Legion, Zorro saves the day

So the whip has a long history with me and a longer history in American culture. And I feel a responsibility to preserve its heritage for future generations. Although the message has been perverted in the failed progressive experiment of the last quarter of century, my work with bullwhips is in the spirit of undoing much of the twisted rhetoric espoused by the misguided emergence, and decline of the intellectual class.

Rich Hoffman

www.overmanwarrior.com